A Quote by Rae Morris

I stopped my iTunes festival set because someone fainted at the front. It felt like the right thing to do at the time but maybe I was being too sensitive. — © Rae Morris
I stopped my iTunes festival set because someone fainted at the front. It felt like the right thing to do at the time but maybe I was being too sensitive.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
Nobody wants to admit to this, but bad things will keep on happening. Maybe that's beause it's all a chain, and a long time ago someone did the first bad thing, and that led someone else to do another bad thing, and so on. You know, like that game where you whisper a sentence into someone's ear, and that person whispers it to someone else, and it all comes out wrong in the end. But then again, maybe bad things happen because it's the only way we can keep remembering what good is supposed to look like.
As I got older and more educated about things like chemicals in food and how beef is processed, I simply stopped eating certain things because it felt like the right thing to do.
You go through spells where you feel that maybe you're too sensitive for this world. I certainly felt that.
To be honest, I felt more myself with that haircut. I felt bold, and it felt empowering because it was my choice. It felt sexy too. Maybe it was the bare neck, but for some reason I felt super-, supersexy.
Football? Forget it. I didn't have that thing inside me where I wanted to smash against somebody and watch them break. I was too sensitive for that and disliked being that sensitive.
Rodney set a plate in front of me and one in front of my mother. I almost fainted when she began to eat instead of hurling it at him. Had one of the vampires gotten tired of her bitching and bitten her into a better mood? She caught my flabbergasted look. "I watched what he put in it" she said defensively. Rodney, instead of being insulted, just laughed. "You're welcome, Justina.
I would say a magical thing happened on when the big 40th birthday came. I felt like a light kind of just went off, and maybe that's because I felt like at 40 I had the right to say and be who I wanted to be, say what I wanted to say, and accept what I didn't want to accept.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.
I've been ripped for being too sensitive, but I do think people need to walk in another person's shoes before they accuse them of being too sensitive.
I think if I'm controversial it's not because I set out to be. It's because I've never felt comfortable being part of someone else's mainstream community.
The big thing is, everybody says it's being in the right place at the right time. But it's more than that, it's being in the right place all the time. Because if I make 20 runs to the near post and each time I lose my defender, and 19 times the ball goes over my head or behind me - then one time I'm three yards out, the ball comes to the right place and I tap it in - then people say, right place, right time. And I was there *all* the time.
Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
It turns out our brain is sensitive, maybe too sensitive, to motion. It's a survival mechanism.
To feel like someone is excluded is something I'm very sensitive about. I'd never want any human being to feel that they are not welcome because of a certain thing, whether it's religion, sexual orientation, their sex or their skin colour.
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