A Quote by Rae Morris

I believe in magical things happening and spiritual goings on. Sometimes the most mundane things can surprise you and be magical. — © Rae Morris
I believe in magical things happening and spiritual goings on. Sometimes the most mundane things can surprise you and be magical.
I have a magical work in a magical way. I give magical service for magical pay.
There's magic all around us: Our smartphones are magical, 3-D printers are magical. So I feel that as a magician, if I can pull off something that seems real and convincing enough that I can explain why it's happening and have people believe it, it really is fascinating. And funny.
I definitely believe that you are drawn to certain things for inexplicable reasons, but in a very powerful way. I don't know what it is exactly, but I know that things happen kind of miraculously sometimes, and so I'm willing to believe that there's something pretty magical out there.
Things are not magical because they've been conjured for us by some outside force. They are magical because we create them.
There are very few things in life I find that are as magical in person as you imagine them to be. Cannes was one of those experiences that held up to that magical essence. It's the epitome of class and elegance for the entertainment industry.
You give anybody a billion dollars, and of course they are passionate. Passion is one of those things like willpower in that there's 'magical thinking' about it. You've got to be careful about 'magical thinking.'
As I've gotten older, I've wanted to represent Las Vegas more. Represent the Southwest. It's a magical place. The desert. I do understand people's criticisms, but it's a magical place and a beautiful city, even though there are a lot of things that are wrong with it.
Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.
My little self-analysis is that consumer technology is the closest thing we have to magic. You push a button and something happens at your command. The things that get me fired up the most have always been the things that seem the most magical.
I'm just very much in love with love. I have this fairy-tale idea of what love should be, and I want it to be magical. I want everything in my life to be magical, actually. If you ever come to my house, you'll see what I mean. I've made it like a fairyland. Flowers and hearts everywhere, and there's colors and little gems hanging from the windows. I just like things to be magical if they can be, and in love there's your opportunity. I think that's how it should be, and if it's not like that, then, "Nah. Don't want it".
Obviously, virtual reality is where I've placed my bet about the future and where the excitement is going. At this point, I could say it's almost a lock. It's going to be magical - it is magical - and great things are coming from that. Along the way, I was focused on the first-person shooters. I said we should go do something on mobile.
There is no surprise more magical than the surprise of being loved: It is God's finger on man's shoulder.
Time had changed the magical to mundane
If you look at the history of unexplained phenomena that was first explained by spiritual, mystical forces, the track record is not very good for the mystical, magical explanations to survive against more quote "mundane" physical explanations.
Often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
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