A Quote by Raf Simons
My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
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[Riccardo Tisci ] has an interesting approach to weaving the contemporary with the couture, and blending tribes and collections. It always seems to work.
I did that Dior Couture 60th anniversary show in July. It took so long to get ready, I think I would have rather been watching.
Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
There seems to be something poetically that doesn't work or is limiting when you call God 'God' in a poem. When I tried to be honest with myself in my relationship with God, Christ is, on the one hand, completely dark, he's transcendent and unknown. On the other hand, he is completely imminent and completely knowable as Jesus. Our tradition speaks of him in both ways as transcendent but also as a lover who comes to us, and the two word 'Dark One' seem to me to contain both things, the transcendence and otherness of Christ, but also like a kind of dark lover who comes to us.
LTCM lost money when Russia defaulted on a certain class of bonds, and then they had other investments like on the spread between two different kinds of shares of Royal Dutch Shell Oil Company. Now that seems completely unrelated to Russian bonds. But they were related because other hedge funds saw similar discrepancies and they were all making similar bets.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I was photographing the photographer Brassaï. He had very prominent eyes, like a frog's. As I focused my lens, he brought his hand up and pretended to focus his eye. It was a joke, but it added mystery to the picture. There's a sense of action in a very small world. Or with Allen Ginsberg there were people smoking cigarettes and in the smoke there's a sense of motion. It makes much out of very little.
With couture you have faithfulness - people are faithful to you. In couture, you will see that the cut looks like a lace dress from a distance, but it's only when you get nearer you understand that it's layers of lace, hand stitched in a certain shape, all the work - the zips, the buttons, the hooks... it goes on.
It is impossible not to notice Ruby on Rails. It has had a huge effect both in
and outside the Ruby community... Rails has become a standard to which even
well-established tools are comparing themselves to.
You tend to think that your time is either the best or the worst, and then when you have a sense of history, you'll realize actually, no, there were times things were quite gusty in the world. I mean, just think, nowadays most people will say they support the advancement of women, woman has been equal, the fact that we're so aware of the gustiness, in a sense, also speaks about the heightening of our own sensitivity.
My parents were both very musically inclined, they were both songwriters and musicians, so we grew up in the house singing music together, and R&B had a huge strong arm in the foundation of my career.
I can't do anything about how people who are all but completely unaware of my actual motivations and my actual thought process and my actual worldview, how they characterize me. There's not much I can do about it, except never say another word other than 'there's a ground ball to shortstop.' And I don't think that's going to happen.
I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
The Daily Show writers are incredibly smart and very well plugged-in but occasionally they would need me for certain specific things, and I'd be like, 'Yeah, I completely know how to do that; I can solve that problem,and then I'd be like, 'Mom?
I think a lot of people fail to work on their sight, even though it's probably one of the most important sides to tennis. It's also about reactions and concentration and focus, and I think it's all very closely related.
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