A Quote by Raf Simons
Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.
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They're making so few movies that you really just have to make it. It's going to be the only way you end up getting work. I don't believe anyone's going to really go out on a limb and just throw millions of dollars on someone that's not been proven. They're going to have to show somebody something at some point.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.
In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.
An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?
I didn't even know what Chikara was... So I show up at the show, and I'm expecting a normal wrestling show... there's like a f#%ing dude in a dinosaur outfit walking around, and there was a stipulaton that someone would be sent back in time... Not that I disliked it or anything, I was just like, what the hell is going on.
Oh my God, nothing compares to the pre-horse show jitters! It's like going on 'American Idol' or 'The Voice' all the time, because you're just going and getting judged for your entire show.
I was in love with the British 'The Office', so even though I love Steve Carell, when they were going to remake it, I was like, 'This is not going to work. I'm going to completely veto this show. I am not going to watch this show.' But now, I love it.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
Any time I approach a scene, it's not just what's on the page - it's how the camera's going to show or not show what's on the page. It's which character are we going to align with and what music is going to be playing.
This is a new phase in my life. I just want people to give the show ["This Is Mike Stud"] and myself a real chance. I'm pretty self aware and know what people are going to think this show is going to be like.
I think you just have to take everything that happens on a TV show with a grain of salt. You sign up for a show for six years having zero idea where they're going to go with the character, so you just have to get on the ride of the show and go with wherever they take you.
On the show, I do a very serious thing. And a lot of people have a hard time reconciling that with what I'm going to do after the show. They can't get it into their heads: "How can he be talking to Madeleine Albright one minute and then somebody half his age...." They're just jealous. But I never made any bones about it. I am a player. Always have been.
I don't separate Robert DeNiro's comedy from the serious stuff. The one thing I realize working with him in all of his work, is that he doesn't do anything unless something happens to him in scenes - unless something happens to make him react. He never came in with a set idea of how he was going to do it, he never came in with guns blazing. He would just show up and wait to see what happened.
Just before I began doing this show [The Last Word ], a dear friend of mine, Karen Russell, asked me what I was going to do with the show.She meant how was I going to use this platform to do something important, something that I wouldn`t be able to do without an hour of real estate in cable news prime time.The K.I.N.D. fund is my answer to Karen Russell`s question, what are you going to do with this show?
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