A Quote by Raf Simons
In fashion design, you can divide people into two groups. You have people who come with an aesthetic that is there forever, even if it evolves. Then you have people I call 'jumpers.' One season it can be this; the next season it's completely something else. I always knew I am more of a jumper.
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I wanted to start a menswear line of slim-fitting, luxury cashmere jumpers in a range of great colors. I know these jumpers will become season-less staples in my own wardrobe. Cashmere and silk printed scarves and hand-beaded T-shirts compliment the line and form a solid foundation for the collection to grow next season.
It's very hard to get people, because it's just one of those things. I mean, everybody is working. And then during the off- season, it's easy, but we don't have the people during the off-season, because the club closes during off-season, so lot of people don't want a part-time job.
The danger with success in television is "Haven't we shot this episode before? Didn't we shoot this scene two years ago?" I think it's really hard to just take the risk from season to season and not be afraid to give the audience something completely different, and trust that they'll come with you.
Whenever I talk about how good season two of 'The Comeback' is, people ask, 'Do I have to see season one?' And I say, 'You get to see season one.'
I think people always expect that when you have a good season and expect the next season to be better, and the season after better and better.
The great thing about working on a genre show is that you can basically have a season finale where every character is left destroyed, and then hit the reset button and come back for the next season.
I've found what I was looking for, Child: what people call love between a man and a woman is a season. And if, at its flowering, this season is a feast of greenery, at its waning, it's only a heap of rotting leaves.
At the start of every season, I always asked myself - am I meeting my own standards? Can I still do it? I didn't want to come to the conclusion that I couldn't during a season.
I have thousands and thousands of people on my payroll. Over the years, I have had tens of thousands of people that work for me. You're picking up one club where it has a high season where it's very, very hard. It's very hard to get people in Palm Beach during the season, during the social season.
I think every season in pre-season you go into it and everyone is saying, 'they'll be strong next season,' but you never know.
I have never had anything to do with the kind of fashion that is influenced by the press or identified with the spirit of the season. My clients come for me; they come back each season for my spirit. That's the reality.
Every summer is important. If you have a bad summer, it can have consequences for the whole season. If you don't get people to rest and to have a very good pre-season, you can start the season chasing.
Even though they won't finish in the top four this season, they will still be of the contenders next season.
You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
We try to promote the Christmas season and remind people that it is a season of peace. That's what the season's real meaning is about. No matter what religion you are, there is that point in time where we should celebrate that idea of peace and humanity.
I feel confident that we will have a beginning, middle and end, in this season, and it was wise of NBC to then call it what it really is, which is a mini-series. "24" is a really good example, in that there was a definitive beginning, middle and end for the first season. They had a slightly different format than we have, but the second season just retained Jack Bauer and a few other players, with the same basic format and idea, but it was a completely different show.
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