A Quote by Raf Simons

I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging. — © Raf Simons
I couldn't go now to a brand that had a niche attitude like... gothic. I couldn't do that. Well, I could do it, but I wouldn't find it interesting, challenging.
I think that people should find a niche that will work. I have friends growing up who sat around playing video games for hours after school, and now they work for the video game industry. People need to find a niche so it doesn't feel like a job anymore. When I'm working on the "Lights Out" brand, it's fun. It's not work.
I've always wanted to be on a show that's well respected and had critical acclaim and that people like to watch, and at the same time find something that for me as an actor is interesting and challenging.
I've always wanted to be on a show that's well respected and had critical acclaim and that people like to watch, and at the same time find something that, for me, as an actor, is interesting and challenging.
Through the Internet and technology, anyone can now seek out any artist, composer or undefined niche of music they find interesting. All on their own, without even having to stand up or go anywhere.
Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.
When I opened Chanel in London, they were happy. People would go, 'Oh, I just came in to see it. It's so beautiful.' And you leave with a positive attitude toward the brand. Now, you don't really get that online. You don't go, like, 'Wow.'
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
We played by feel. We felt as though you could put us on any stage, and we would find a way to win that crowd over. We had that attitude: We can't fail. You might not like it right now, but you will.
Many people decide to jump from niche to niche, as they cannot find success immediately with the niche that they have chosen for their online business.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
I've never really presumed to know what my fans want or like. When I'm making the music, I just chase whatever I find interesting that day and luckily there are people who find it interesting as well.
I write about people I think are interesting, and then I discuss it with my editor, and she decides if she thinks it will be interesting to children as well. If I have no great interest in the subject, I find the work to be terribly boring. And if I find the person interesting, I love the research part and, by extension, the writing as well.
I am reasonably happy. I didn't find Jesus or anything like that. Part of it is that I just feel that I could go home. I did not feel like that for a long time, but I could go back now.
There's certain people that do pop well. Beyonce's one of them, Rihanna, Rita Ora, I could go on and on. You've got to recognise what your talent and niche is.
Our label was always known as a mass brand. To bridge that gap and to take it to the classes by bringing it a respectability with niche brand associations was what I took up as a challenge.
I would like to take up any kind of film that comes my way if I find the story interesting and challenging.
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