A Quote by Raf Simons
I am always attracted to the moments when a person who is associated with a certain message, image or sensibility evolves. I am very interested in how audiences respond to that maturation and absorb the evolution.
Related Quotes
I suppose I am interested in the variety of human life - how people live. I am most interested in individuals and how they respond to challenges or to difficulties or just to each other. I am curious about people.
I find poignancy in the moments when a person realizes that she has made mistakes. I am not as interested in the mistakes themselves as I am with the consequences and how the person responds to her realization.
I am not at all interested in theories about cinema. I am only interested in images and people and sound. I am really a very simple person.
I love people! I am a people person. I am a very curious human being. I am very interested in what people have to say. I love cultures, too, so I am always traveling.
I am interested in evolution within my thinking. I am not interested in the evolution of my paint.
I don't know why people feel that I am snooty. I am not a person who has ever given an interview on image building. I have never been that person, as I am very confident of what I do. People do PR, but I get completely foxed. I don't know how to do it. I stay away from the limelight, as I think my work should speak on my behalf.
I am interested in seeing how a certain situation can develop with potential accidents. First, I am inspired by the acts of potential collaborators. It tends to be an action they have already done in a different context. I am very clear about the rules of the game, but once it's launched, I don't intervene at all.
The fact is that I am always thinking of something to build. A new book, radio show, plans for a trip somewhere. I am not a very happy person but I feel pretty even when I am working, so I guess that is how I am wired.
I am interested in the highbrow/lowbrow synthesis. My sensibility, I am proud to say, is middlebrow.
As a woman, sometimes when I am in discussion with a director or producer, there is some kind of a different politics happening. Basically, 'I know more than you'. I am always on the lookout for that. I don't want to get sucked into that. I am very quick to respond to that.
There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
I am very, very proud I am also Turkish and both of my parents are from Turkey. I was born in Germany and grew up there. By playing football, I learned my different cultures, and that is an advantage if you grow up as a person. You get a different view on certain things. I am very, very thankful I was able to pick the best from many cultures.
My wife is very interested in fashion. I am absolutely not. I couldn't give a toss. Fashion is a perfectly valid thing to be interested in. I'm just not particularly interested in pop culture. I think I am more interested in things that have a settled permanence about them.
I am not interested in having somebody telling that what I have to water down my message or that some advertising person would not like it.
When I am talking to someone, I can constantly see whether I am failing or succeeding. I am regulating what I am saying in terms of how I think I'm doing. I'm always searching for the truth of a subject or person, and I look at every meeting as a grand experiment.
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