A Quote by Rafael Benitez

I like to exchange ideas because we all want to win. If a footballer doesn't agree, then you try and have a chat to work things out. — © Rafael Benitez
I like to exchange ideas because we all want to win. If a footballer doesn't agree, then you try and have a chat to work things out.
I genuinely only want to work with people that I agree with on certain things. There were many sponsors I didn't want to work with because I didn't agree with their messages that they wanted to use me to convey.
As a player, you want to win everything as much as you can. If you're a footballer, you're a winner. When you then step up to the first team and you win something with them, that feeling is multiplied massively because you're at the top of the club and now you're winning so you want it more and more.
Because of the Internet, we're all such authorities on every subject and can chat about all sorts of things. But when push comes to shove, when our ideas are put to the test, that's when we find out who we really are.
I like making movies. I like the process. I like trying out new ideas, and if they don't work, they don't work. That's the reason I generated the money in the first place, to be able to try things. That's where I spend my money.
I'm going to go out Monday through Friday and work hard and try to help this team win, because God knows we need a win.
The economy works best when better ideas win out over worse ideas, harder work wins out over less work, when it's a fair fight in the marketplace.
I let the actors work out their ideas before shooting, then tell them what attitudes I want. If a scene isn't honest, it stands out like a sore thumb.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
I do try to do high-impact work, and I try to think of ideas people haven't thought about that have broad implications, but I don't restrict myself to that. I try to work on things that I find interesting.
When you are a player, a footballer, or a manager of a great club like Chelsea, you must play to win. To win. To win the title. Or to fight and, at the end, to compete with the other teams to win the title and reach your targets.
We had no preconceived ideas. We were on this football team to go out and win ballgames and try to win a championship, that's all. To Brian and me, it was no big deal.
I try not to think about that [getting Oscar] ahead of time. You just try to do the best work you can, and then you get the movie out there, and we've been hearing good things. But you never know, you don't want to get too high, and you don't want to get too low.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
I was never pop-music taken seriously when I was taught. But some people who agree with you will like your music, and some who don't agree with you will like your music. I think that if you can approach things in a universal fashion and speak rationally about things, then most people do have similar intrinsic values. They don't - or at least they feel that they shouldn't - want other people to suffer. They want a good life for them and their own.
I always try to write a song to work things out with myself and I want to do it with a little punchline at the end, because I never want to remember anything bad in my life.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
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