A Quote by Rafael Nadal

I'm really, really emotional. — © Rafael Nadal
I'm really, really emotional.

Quote Topics

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.
Every role that I have taken on has demanded some kind of emotional range. I really, really would love to do a comedy, but that opportunity really hasn't opened up.
The impulse for me to want to make sculpture is because I want to make statements, really, on a purely emotional level. And it's also somewhat of a challenge to see how that can be done with materials and objects that really are not emotional, in and of themselves.
I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.
I think that it is real important for someone to be really honest and open emotionally. I'm really an emotional person. If I'm that way and the guy isn't that way I just really feel like a jerk.
I love doing emotional scenes. As I've had a perfect life, I don't really have much to pull from. But it's really fun and not that challenging. It's almost pretty easy. The hardest thing is to try and make people laugh. That's a really hard thing.
I think women are really vicious in the work place, they're really jealous, really competitive. Women are emotional, they cry in toilets. The sisterhood only extends as far as the kitchen door. Men talk in logic and rational terms, they don't squark and make a noise.
Sometimes a script comes along that really makes you sit up and pay attention... 'Life at These Speeds' has an emotional intensity that really kicked me in the guts.
TV is a different animal these days. You can bring together really smart writing and directing, in-depth character development and really meaty political and emotional stories.
When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
I was really, really, really feminine and really into cheerleading and really into figure skating and really into gymnastics. Really into everything that other boys weren't.
I'm listening to a lot of John Mayer again. I stopped listening to emotional music because I was in a really emotional place in my life.
It's really amazing to be a part of something that people have an emotional response to, even though it's a network sitcom. When you get a chance to meet fans or interact with them, you realize that there are a lot of people who the show speaks to, and that they really get something out of it, beyond just laughing. That's really fulfilling.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
If you focus all of your emotional passion on your children and you neglect the relationship that brought that family into existence... eventually, things can go really, really wrong.
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