A Quote by Rafael Palmeiro
You know, my family stood for something that they believed in, and I wasn't about to turn my back on them.
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For my family and my neighbors, America stood for something real, something tangible. America, and therefore Americans, stood for freedom, family, truth and justice.
I have such incredible friends in L.A. that are pretty much my family now - I mean, outside of the family I have back in Canada - but they just supported me so hard and believed in me when I barely believed in myself anymore. I still can't thank them enough. They mean the world to me.
I met Edward Teller. Everything he believed in and stood for was antithetical to what I believed in and stood for. I like running into that in life. I like extreme points of view, a level of commitment - and I certainly love mastery.
My dad's era believed that there was something noble in being a good guy - the kind of guy that lived straight and narrow, told the truth, and stood up for what he believed was right.
Narco fiction novels have a reputation, at least here in Mexico among some of the writers I know, of being somewhat rushed productions, usually written in one way or another like crime thrillers, with something cheesily exploitative about them. It feels exploitive - taking this horrible and ongoing tragedy and trying to turn it into something entertaining. Or trying to turn it into something that might earn the writer a reputation of the sort that many writers believe they aspire to. Or earn them money.
I didn't think any amount of money was worth something that would take away what you believed in or what you stood for. I didn't want to do something my parents and daughter couldn't be proud of.
It's true that my father was imprisoned for three and a half years, and it was because he stood up for what he believed in. It's not a taboo subject in our household. We talk about it. After all, I want to know what happened.
I know my audience, and they, in turn, know my cinema. When I pick a subject, it's for a family audience. I shoot and edit my films keeping them in mind. I'm dead sure about the product that bears my name.
It's family, and it's faith, and it's friends, and it's not the glamour of the Presidency, or the wonder of going to receive the Nobel Prize. All those are important, of course. But maybe it's just that I'm 71 years old now. It's family, and it's faith, and it's friends. I would tell them that. Don't forget that. In your brilliance, don't turn your back on your friends. Don't think you're entitled to something, you're smarter than the next guy.
I came from a family who believed in, in quotes, the Rights of Man, who believed that in order to justify the sort of luxurious life that the majority of us have, related to the whole world, that you had to do something.
I came from a family who believed in, in quotes, the Rights of Man: who believed that in order to justify the sort of luxurious life that the majority of us have, related to the whole world, that you had to do something.
She believed in dreams, all right, but she also believed in doing something about them. When Prince Charming didn't come along, she went over to the palace and got him.
You have one family, Charley. For good or bad. You have one family. You can’t trade them in. You can’t lie to them. You can’t run two at once, substituting back and forth. “Sticking with your family is what makes it a family.
Remember with your heart. Go back, go back and go back. The skies of this world were always meant to have dragons. When they are not here, humans miss them. Some never think of them, of course. But some children, from the time they are small, they look up at the blue summer sky and watch for something that never comes. Because they know. Something that was supposed to be there faded and vanished. Something that we must bring back, you and I.
When people have something proven to them, and they see that it really benefits them, they don't have to be looking for a change or be at rock bottom. When they see something proven that is of benefit to them, they'll turn around 180 degrees and never look back.
This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by.
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