A Quote by Rafael Sabatini
An intelligent observation of the facts of human existence will reveal to shallow-minded folk who sneer at the use of coincidence in the arts of fiction and drama that life itself is little more than a series of coincidences.
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You must all know half a dozen people at least who are no use in this world, who are more trouble than they are worth. Just put them there and say Sir, or Madam, now will you be kind enough to justify your existence? If you can't justify your existence, if you're not pulling your weight in the social boat, if you're not producing as much as you consume or perhaps a little more, then, clearly, we cannot use the organizations of our society for the purpose of keeping you alive, because your life does not benefit us and it can't be of very much use to yourself.
A sneer can often reveal far more about the sneerer than the object of their derision.
People who make documentaries have to be faithful to the facts. But when you are making a drama, a fiction based on the life, all you have to be faithful to is the spirit of the facts, which I think I was in every case. As long as you don't violate their spirit, you can play with the facts.
Life is an interpretation of a series of facts, and that interpretation is really what life is about. So the division between non-fiction and fiction has a certain logic, but it's a very limited one. And by and large, it isn't helpful.
My friends, I tell you repeatedly that the illusion that Life creates is very, very intelligent. The illusion itself is intelligent! Just understand how intelligent the intelligence must be in order to create an intelligent illusion. The intelligent illusion is so intelligent it will appear real to man every moment of his daily life!
Owen Meany believed that “coincidence” was a stupid, shallow refuge sought by stupid, shallow people who were unable to accept the fact that their lives were shaped by a terrifying and awesome design – more powerful and unstoppable than the Yankee Flyer. (a train)
In any story, drama may be intensified by the characters realizing by how narrow a margin they had managed to succeed - that is, where coincidence played a role. This is one of the more realistic ways to use coincidence because rarely do we realize how important a coincidental event is until after the fact.
Yet, when these facts are seen side by side with other facts in the case, it is difficult not to become lost in superstitious awe. Their very absurdity seems to prohibit the use of the words 'chance' and 'coincidence.' For the sceptic there remains only one consolation: if there should be such a thing as superhuman Law, it is administered with sub-human inefficiency.
I certainly incorporate facts into my fiction. I take the basic facts from the life of my subject and I pick and choose what to use to construct a really interesting novel. I don't let facts get in the way of my imagination and my exploration of the subject's emotions and relationships.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
Observation is like a muscle. It grows stronger with use and atrophies without use. Exercise your observation muscle and you will become a more powerful decoder of the world around you.
I have come to believe ... that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy, will be challenged afresh when it is obliged to simulate life itself.
I have been writing mainly fiction. Occasionally there will be a song that hangs around the truth a little more than the rest, but even with those I end up fudging the facts just to keep it from going stale.
It is the close observation of little things which is the secret of success in business, in art, in science, and in every pursuit in life. Human knowledge is but an accumulation of small facts made by successive generations of men--the little bits of knowledge and experience carefully treasured up by them growing at length into a mighty pyramid.
This is a work of fiction. All the characters in it, human and otherwise, are imaginary, excepting only certain of the fairy folk, whom it might be unwise to offend by casting doubts on their existence. Or lack thereof.
Observation is so wide awake, and facts are being so rapidly added to the sum of human experience, that it appears as if the theorizer would always be in arrears, and were doomed forever to arrive at imperfect conclusion; but the power to perceive a law is equally rare in all ages of the world, and depends but little on the number of facts observed.
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