A Quote by Rafael van der Vaart

Twenty-seven is a great age to play. There is so much ahead of you. — © Rafael van der Vaart
Twenty-seven is a great age to play. There is so much ahead of you.
For twenty years I read a book a day, from the time I was seven until I was twenty-seven.
My first play was 'The Room', written when I was twenty-seven.
Age only matters when one is aging. Now that I have arrived at a great age, I might as well be twenty.
If you don't begin to be a revolutionist at the age of twenty, then at fifty you will be a most impossible old fossil. If you area red revolutionary at the age of twenty, you have some chance of being up-to-date when you are forty!
You can only go forward by making mistakes. I'm twenty-seven, not fifty-seven. I'm not Givenchy, I'm Alexander McQueen.
If we're going to change the game it has to start at eight, nine and 10 years old. When we were that age we'd go to the pond or backyard rink and throw a puck on the ice and play five on five, or seven on seven. You get this creativity and this imagination that comes from within, just having fun on the pond. Now kids are so focused on team play, and the coaches are so focused on positioning. You can't change it at the NHL level.
Youth should be kept strangers to all that is bad, and especially to things which suggest vice or hate. When the five years have passed away, during the two following years they must look on at the pursuits which they are hereafter to learn. There are two periods of life with reference to which education has to be divided, from seven to the age of puberty, and onwards to the age of one and twenty.
By age seven, I used to comb my hair for performances, just pull my hair up into a bun. Granted, it wasn't a very intricate hairstyle. Still, to be that responsible and disciplined at age seven is unusual.
I wanted to play music from the age of seven. I suddenly fell in love with it and that's what I was going to do, or to be involved with music. It was just speaking to me at a level that as a seven year old I suddenly realized the world was capable of supporting in my head a lot more than what I was understanding verbally and visually.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
We [women] have borne and bred and washed and taught, perhaps to the age of six or seven years, the one thousand six hundred and twenty-three million human beings who are, according to statistics, at present in existence, and that ... takes time.
Basically, I realized I was living in that awful stage of life between twenty-six to and thirty-seven known as stupidity. It's when you don't know anything, not even as much as you did when you were younger, and you don't even have a philosophy about all the things you don't know, the way you did when you were twenty or would again when you were thirty-eight.
For males twenty-five is the fatal age. For women it's twenty. We are all dropping like flies.
From my childhood, obedience was something I could not get out of my system. When I entered the armed service at the age of twenty-seven, I found being obedient not a bit more difficult than it had been during my life to that point. It was unthinkable that I would not follow orders.
I think much of what you learn as a kid comes before age seven.
For inspiration I look to those great players who consistently found original ways to shock their opponents. None did this better than the eighth world champion, Mikhail Tal. The "Magician of Riga" rose to become champion in 1960 at age twenty-three and became famous for his aggressive, volatile play.
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