A Quote by Raftaar

I don't want to just make music as I want to be legendary. I understand it has to be commercial as I have to feed my family. I am in between these two marks and they are not many people in this space. I want my work to my valued even if my face is forgotten.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
It's still hard for me to understand, what is to me, the morbid fascination with celebrity. I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do. I understand, you know, the interest but I really don't understand the fascination with it.
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.
I don't even want to say I'm trying to necessarily popularize classical music, I just want to take this thing, this cello, this sound, and make it artistic so people can understand it today.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
I don't think I am any different from other people. I have the same dreams. I want a family. I want a house. A car. Why shouldn't I want that? Everybody does. And when I have it, I want it all to work.
I am tired, I want to go home. I want to continue my art work, I want to plant a garden, I want to walk in the forest, I want to walk in the fields, I just want to lie down on the grass and feel the sun against my skin. I want to be able to hold my family close to me and not have someone tell me time's up.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do.
I never got tied down to any social scene. I was just into creating stuff. And I think, even today, that's how I'm able to work and move between so many different genres - I want to be part of what's happening, I want to make new things.
Yes, I want to work with Rick Rubin. Yes, I want to work with Trent Reznor. Yes, I want to work with Madlib. Yes, I want to get with all these wonderful people. Collie Buddz, Marsha Ambrosius. I just want to go, man. I'm gonna keep on making music.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
We work a lot, and we have a lot of discipline because we are really tired that people know Colombia as a violent country. We just want to change that face of the country, and the music that we're doing is the music that people want, that people love.
And last, we must bear in mind that the relationships between perception, thought, emotion, and behavior are neither automatic nor consistent. In many cases they are demonstrably affected or directed by culture and socialization. We don't just want what we want because we want it; we want what we want because that's what we've learned to want.
I do want to carry on my dad's legacy, but I also want to carve out my own path. I have to work harder, I think, just because I do have that last name. I don't want people to think that's why I am where I am in this industry. I put in the time, and I want to be just as good as my dad was.
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