A Quote by Raftaar

I like to live life in a way that I understand, it's satisfying. I understand you have to reach a mark where everyone likes you but in reality they don't like you, they like your work.
That is what it is like with Pep. At first, you don't understand. But then you grow up, you work, and now we understand the things he wants much better. It's not like the first season when it took him more time to make us understand his ideas. Some players didn't understand immediately what he wanted.
Not everyone will understand your journey. That's okay. You're here to live your life, not to make everyone understand.
I like to tell small business owners and entrepreneurs, 'I get it. I have your back on this. I understand about regulation. I understand how taxes are taxing. I understand what it is like not to be able to borrow money when you need it.'
My work makes people understand things in a visual way that I could never understand in a literal way - like the way you deal with and break down problems, and don't come up with answers, but [find] a pathway that becomes clearer.
I like to define biology as the history of the earth and all its life - past, present, and future. To understand biology is to understand that all life is linked to the earth from which it came; it is to understand that the stream of life, flowing out of the dim past into the uncertain future, is in reality a unified force, though composed of an infinite number and variety of separate lives.
I like to live. I like to dance. I like to eat. I like to work and I like my family. I like to enjoy. And.. knock on wood.. it's nice that I can live this way.
Music needs to have a real sacred setting for people to understand it. You've got to start things off with friends who are like-minded or even strangers that are like-minded. Sending your music to established artists or labels or magazine, I mean there is something to be said for tenacity, for trying to pursue recognition that way, but it just doesn't make sense for the best work. And if you do make an amazing work, it's sometimes not the best way to be heard. You have to get on a sacred space, like a stage, and do your testifying that way.
I'll never have a best friend who is a man. It just doesn't work that way. So many times young girls will be like, 'I'm a guy's girl.' And I'm like, 'No, you're not. There's no way a man can understand you like a woman, and you're a guy's girl because you're threatened by other women.' I was like that.
Be cautious, understand the consequences of your decisions. You have to understand the consequences of every decision that you make. If you decide to be a writer, that's going to scale back your life, than when you decide to be an attorney. Y'know, if you send your kids to private school, then it's kind of like the federal budget, where if you spend money on one thing, but you have to cut on something else. So you just have to be aware, at all times, that every decision you make, has reverberations. And you have to understand those reverberations, and either you live with them, or you don't.
I understand the psychology of the business. I understand who I am and I know how I interact with other people, but that's a gift, the storytelling. Not everybody has that gift and it's kind of like the way I work.
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life.
So rather than someone coming to my stu- dio and saying, like, "Thank you for your time. I'll see you later," and me not knowing why they don't like my work, I understand now why they don't like it.
If you don't understand weapons you don't understand fighting. If you don't understand fighting you don't understand war. If you don't understand war you don't understand history. And if you don't understand history you might as well live with your head in a sack.
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.
I think the point about ActionAid is what it's asking people to do is engage with poor people in developing countries and understand what their lives are like and understand how the way we live our lives impacts on theirs.
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