A Quote by Rag'n'Bone Man

Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured. — © Rag'n'Bone Man
Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
I go to more open mic nights than open mikers.
My dad played in different clubs and open mic nights. But he mostly walked dogs. A lot of dogs.
I used to sing as a kid, but it was quite squeaky. I think I was about 19 or 20, and we used to go to these jam sessions and open mics. I just got the courage to sing one day. I don't think anyone expected it to sound like that.
I spent two years playing open mic nights in Brighton, and I heard more and more people saying, You should give it a go in London.
I spent two years playing open mic nights in Brighton, and I heard more and more people saying, 'You should give it a go in London.'
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
Everybody was always telling me to rap and freestyle. I used to go to the park and spit on the mic. If I go to the park, they always gonna give me the mic.
I would go to open-mic nights and realize that I was not near as bad as half the people.
I was always trying to do architectural jam sessions. But it's not quite as easy as singing or playing a guitar, so I would always see wonderful live musicians and just envy them that I wasn't in that medium.
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll be on the guitar or the keyboard, and we'll just start singing and doing stuff.
Some nights I'm funny with the between-song commentary, some nights I'm not. I have no control over this. I pace the stage a lot and struggle with the mic stand in a ridiculous way.
I grew up with park jams. That's how I knew about rap... The local MCs would grab the mic and start rapping. I just used to be so in awe and fascinated and like, 'Wow, this is amazing!' But I would never, ever touch the mic. Heck no.
I used to go with my dad to wash windows at a grocery store on Sunday nights when it was closed because they didn't want anyone to be washing the windows when it was open.
I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
My first place in Nashville was like Animal House. The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
My first place in Nashville was like 'Animal House.' The whole band lived under one roof, and most nights the jam sessions ended close to sunrise.
This site uses cookies to ensure you get the best experience. More info...
Got it!