A Quote by Rag'n'Bone Man
I had some really early recordings when I was 16 or 17. I was rapping over jungle beats with my friends. We used to do pirate radio stations in my area, down near Brighton. They were pretty terrible.
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My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
I had this terrible stammer, so I couldn't really speak properly until I was 16 or 17.
In high school I was making beats for my friends and for myself and rapping over them.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
I used to play the piano, I was pretty decent, so that was the only thing I could hold onto in terms of coming up with melodies; but at the time I [still] just couldn't, so my early beats were really sample-based.
At the beginning I wasn't really rapping. I had poetry, so it was a spoken word vibe. Then I found beats that you could sing over - lo-fi, ambient stuff. So I was singing over them and trying to put things into practice.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
The radio stations strayed away from the raw hip-hop that they were playing in the early 1990s. We were like, 'All this watered down stuff is dominating the airwaves. We should make a record to make fun of that' and Guru's like, 'Let's call it 'Mass Appeal.''
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
Until I was 16 or 17, I had heard practically nothing about the history that preceded 1945. Only when we were 17 were we confronted with a documentary film of the opening of the Belsen camp.
If the area were on or near the U.S. continental shelf, such data could well provide an enemy with strategically invaluable insights into undersea access routes that could be used to attack some of the millions of Americans who live on or near our coasts.
College radio is a very important medium that needs to survive in difficult economic times when some stations are being sold off and shut down. College radio is the future for broadcasting stars and pioneers of tomorrow, and we as a band, Coldplay, support the vital mission of college radio and we also support College Radio Day, the day when college radio comes together.
I've been rapping on some crunk beats and getting down on the South music for years. I feel like I can do it all.
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
I was in bands, like everyone else, when I was 16, 17; I was a little skater listening to Dead Kennedy's and Steel Pole Bath Tub. It was through early 90s Hip Hop that I found my way to Soul and Funk, and then out the other side into beats.
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