A Quote by Raghava Lawrence

I used to often see Rajini sir at shooting spots when I worked as a car cleaner for Super Subbarayan master. — © Raghava Lawrence
I used to often see Rajini sir at shooting spots when I worked as a car cleaner for Super Subbarayan master.
Every year is Super Bowl or bust, really. If you ain't shooting for the Super Bowl... I mean, I guess if you're the Browns, you're shooting for a win. Or a few wins, at least. But everybody else, you gotta be shooting for the Super Bowl.
When I thought of writing for Rajini sir, I told myself it will be a really cool character with a very happy-go-lucky attitude. We took such a character and placed him in a strong story, and I believe, as a combination, it has worked wonders.
My engineer dad is where my technical acumen comes from. I remember him taking me to the factories to see how what works. Often he used to open up his motorbike to fix things and I saw how the wheels worked. His car used to be open for dissection very regularly. All this taught me and inspired me to look beyond what I could see on the skin.
Importantly, Rajini sir doesn't take his fans and audiences for granted.
Nobody would dare to show Rajini sir in bad light through a film.
Rajini sir's character in 'Petta' is inspired from the same name from Tamil film 'Mullum Malarum.'
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
If there's one movie of Rajini sir that I've seen multiple times, it has to be 'Annamalai.' The song, 'Vetri Nichayam,' from the film, has been a big inspiration for me.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
Luckily, 'Petta' encompasses all the dimensions of Rajini sir's performances. His main strengths are his charm, style, and the fun that he represents.
I used to be very shy, and when I joined Satyanand sir's acting school, I used to be afraid to talk in front of everyone. But I learnt so much from Satyanand sir.
This will sound really funny, but I'm so used to shooting in Hindi that shooting in English took a while to get used to.
Quietly Sophronia added, "And the soot on my dress, sir?" "I didn't see anything." Professor Braithwope smiled down at her, showing a small hint of fang. Sophronia grinned back. "I'm glad we understand each other, sir." The vampire looked out into the night. "This is the right finishing school for you, isn't it, whot?" "Yes sir, I think it might very well be." "A piece of advice, Miss Temminnick?" "Sir?" "It is a great skill to have friends in low places. They, too, have things to teach you." "Now, sir, I thought you didn't see any soot.
Eight, sir; seven, sir; Six, sir; five, sir; Four, sir; Three, sir; Two, sir; one! Tenser, said the Tensor. Tenser, said the Tensor. Tension, apprehension, And dissension have begun.
My grandfather Urey was my hero. He worked three jobs. He had a dry cleaner's factory job in the day and a dry cleaner's factory job at night and when that was done with that, he mopped floors in a restaurant.
I would wear the blue overalls of the fieldworker and often wore round, rimless glasses known as Mazzawati teaglasses. I had a car, and I wore a chauffeur's cap with my overalls. The pose of chauffeur was convenient because I could travel under the pretext of driving my master's car.
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