When I started my career, I gave four flops, and then four hits, two flops, two hits, and then three flops.
More than the hits, flops will have an impact on my career. In fact, flops helped me shape my career. They made me look at things from a different angle.
Ultimately, my character is defined by the quality of my sensitivity to other people. I exist in equilibrium. I am here to the degree I am there.
Hits and flops will come and go. But what stays with you is the experience you had while shooting a film. I am happy learning something new each time.
If I can center down and strengthen the core of who I am, and the core of who I am is my relationship with God, then that helps me maintain peace deep down. If I can maintain a healthy spiritual core, I think that's enormous for helping the stress.
Hits and flops are overrated.
Systems don't change easily. Systems try to maintain themselves, and seek equilibrium. To change a system, you need to shake it up, disrupt the equilibrium. That often requires conflict.
So if radio flops, and MTV flops and everything flops, it doesn't matter, as long as we're still playing and kids are coming to our shows.
You learn more from the flops than from the hits.
I've been part of the biggest hits and flops.
I'm not a down-in-the-dumps person. I think some people assume that I am because of the music I write.
Hits and flops are part and parcel of movie business.
I always had a fair share of hits and flops.
Hits and flops will always be there for any actor.
I always say that you should remake flops, not hits.
Happiness is equilibrium. Shift your weight. Equilibrium is pragmatic. You have to get everything into proportion. You compensate, rebalance yourself so that you maintain your angle to your world. When the world shifts, you shift.