A Quote by Raghu Rai
A creative photographer is one who either captures mystery or reveals things, everything else is useless
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Either you capture the mystery of things or you reveal the mystery. Everything else is just information.
A work of art is one of mystery, the one extreme magic; everything else is either arithmetic or biology.
The first mystery is simply that there is a mystery, a mystery that can never be explained or understood, only encountered from time to time. Nothing is obvious. Everything conceals something else.
I think the beauty and mystery of boxing is just the immediacy of how it reveals people unlike anything else.
One view of photography is that it is a zen-like act which captures reality with its pants down - so that the vital click shows the anatomy bare. In this, the photographer is invisible but essential. A computer releasing the shutter would always miss the special moment that the human sensibility can register. For this work, the photographer's instinct is his aid, his personality a hindrance.
It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.
Whatever may be the mysteries of life and death, there is one mystery which the cross of Christ reveals to us, and that is the infinite and absolute goodness of God. Let all the rest remain a mystery so long as the mystery of the cross of Christ gives us faith for all the rest.
To say that creative writing courses are all useless is almost as silly as saying all editors are useless. Writers of all levels can benefit from other instructive voices.
When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer."
The creative life of the commercial photographer is like the life of a butterfly. Very seldom do we see a photographer who is really productive for more than eight or ten years.
I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?
I think the Earth and everything around it is connected - the sky and the planets and the stars and everything else we see as a mystery.
A leader has to be one of two things: he either has to be a brilliant visionary himself, a truly creative strategist, in which case he can do what he likes and get away with it; or else he has to be a true empowerer who can bring out the best in others.
Whatever you do in life, if you want to be creative and intelligent, and develop your brain, you must do everything with the awareness that everything, in some way, connects to everything else.
One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.
Everything is grounded in mystery. Everything is swimming, and the stable does not exist. Life is a series of guesses, and there is mystery in a match. The commonplace is the habitual, and the habitual is a mystery that has grown stale from sense-insistence. Life undulates; there is no such thing as a level; a straight line is a myth, and all directions are indirections.
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