A Quote by Rahat Fateh Ali Khan

All the film stuff is business. Those are the songs I practise for, rehearse for, make money from. — © Rahat Fateh Ali Khan
All the film stuff is business. Those are the songs I practise for, rehearse for, make money from.
If your income on films or whatever you're producing using film drops below a certain level, then you don't have enough money to stay in business. People like to say that this is all just about making money, but if you don't make money, you don't make anything.
I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films. I didn't make that money necessarily from the film business, but I eventually made a lot of money and that's what I do. Of course, I consider myself unbelievably fortunate, and I'm pretty content with my life.
There are only two sorts of doctors; those who practise with their brains, and those who practise with their tongues.
I like esoteric stuff but it's not my voice - it's not what I have to make. It helps to make something that's accessible. It's an expensive medium and people put up a lot of money and you can't take that lightly. It's a privilege and it's easy to be flip about it. There's a lot of bullshit, but most people in the film business aren't getting rich. They're working hard.
The fact is that you could not be, and still cannot be, a 25-year-old homosexual trying to make it in the British film business or the American film business or even the Italian film business. It just doesn't work and you're going to hit a brick wall at some point.
We should all rehearse and practise the positives in our life, rather than doing what so many people do.
There's stuff I don't like to rehearse, really emotional things, I don't like to rehearse. You just beat it to death.
Don’t make stuff because you want to make money - it will never make you enough money. And don’t make stuff because you want to get famous - because you will never feel famous enough. Make gifts for people - and work hard on making those gifts in the hope that those people will notice and like the gifts.
If you screw up five films straight, then you're done. It's a business, the producer invests money and you need to make sure his money is recovered and in the process you give out the best film.
When business leaders ask me what they can do for Indiana, I always reply: 'Make money. Go make money. That's the first act of corporate citizenship. If you do that, you'll have to hire someone else, and you'll have enough profit to help one of those non-profits we're so proud of.'
Practise and practise to make your dreams turn into reality.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
I like to rehearse a lot. Before I hit the stage, I listen to the songs that I would perform and make sure I execute everything.
It's hard to make a film in Britain. It's hard to raise money. The best stuff that is shot on film in Britain is usually shot on film for television.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
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