A Quote by Rahat Fateh Ali Khan

We need to revive quality music for Pakistani film industry in order to resurrect it. — © Rahat Fateh Ali Khan
We need to revive quality music for Pakistani film industry in order to resurrect it.
Hindi films are watched with keen interest in Pakistan, as Pakistani plays are watched in India. Pakistani actors also work in the Indian entertainment industry.
The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.
My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.
In the Pakistani entertainment industry it's very, very difficult to get your foot in the door if you don't have a network in Karachi or Lahore or in the film circle.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
The problem is we never had a separate music industry, we always had film music industry. The west has it and that's why musicians are stars and icons there.
The music industry seems scary to me. I mean the film industry is crazy enough so the music industry to me seems like the wild, wild West. Like I would just never dare.
I feel we have a music industry within the film industry.
There are few teachers from the film industry to guide newcomers. One can see a gap between the film industry and those teaching at film schools.
I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
There is something that might be called cinematic beauty. It can only be expressed in a film, and it must be present for that film to be a moving work. When it is very well expressed, one experiences a particularly deep emotion while watching that film. I believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
With the rise of the Internet, fashion did become part of the global entertainment industry in the last ten years, and will follow the digital evolution of the music or film industry.
In my opinion, having worked in the games industry and still keeping in touch with a lot of those guys, there was definitely a time when they saw themselves as the little brother of the film industry. But they kind of went off in a different direction and now see themselves, I think, as being far more interesting and ahead of the film industry. They haven't just caught up. They've gone off in a different direction and exceeded the film industry.
There have always been elements in the Pakistani state that have been hostile to India; which is not to say that the Pakistani government as a whole is responsible for bombing Indian cities. But I think there are entities in the Pakistani security services that operate more or less autonomously. Their role certainly needs looking into.
I see a parallel industry for independent music blooming alongside film music.
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