A Quote by Raheem DeVaughn
I try to work out more now. I have been really thinking about getting into yoga, though. I can use that, believe it.
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I always say I should do more yoga. Or do yoga - more would mean I do some. I've done none. But I always want to do yoga because I'm getting old. Nerves are getting pinched every other day, and I really just gotta get more limber.
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point I learned not to talk about it very much.
Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.
I really try every day. I really try to come into work thinking about what rhetoric I'm going to put out in the world and what my father would've done if he was still here.
Believing isn't thinking, but we've been programmed to believe that believing is thinking. To use our intelligence to think means we're keeping the energy active, we're thinking, we're really using the power of our intelligence in a thinking way. But when we've been programmed to believe, we're no longer thinking, because energy flows.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
I try to do yoga. I really enjoy stretching and having a nice yoga class or taking a run on the beach. I'm not a big fan of the gym. I try to be out as much as possible.
My father was really into yoga, and back then, it seemed like we were really the only ones who knew about yoga. It amazes me now... just what a movement yoga has become and what an industry it's become.
It's getting harder as I get more known. Even though it's my break, I couldn't really go out and get drunk - because people expect you to be training and getting up early. But I'm not bothered about missing out on normal teenage things.
Neil [Gaiman, creator of the comic Sandman, featuring the Amos-based character Delirium] believes that faeries have gone beyond cool. They've transcended cool. I just think alternate realities make you a good writer. If your work is any more than one dimension, you believe in faeries. I'm sure I'll start thinking now about all the people I know who don't believe, that I quite like. We can still go have a pint. Not the Chardonnay, though.
I work out. I try to work out every day. That keeps me in the moment, which is great. Keeps my head from thinking about the future and the past too much. I love working out. That really helps me a lot.
I did easy yoga and I found it a bit boring. I'm now doing a more difficult one now and I'm enjoying it a bit more. I occasionally still work out with my trainer Tracy Anderson.
I was religious with the way I stretched, the way I would do my soft-tissue work, whether it be massages or foam rollers. I was very good about getting in the hot tub and cold tub, and getting in the training room. I also love to do yoga, and I give yoga a lot of credit for my longevity in the NFL.
I've been really lucky. I didn't have any morning sickness and I've been off work for most of my pregnancy, so I've been able to do things like work out with a trainer and do prenatal yoga and all these things that have kept my body very agile and pain-free.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
While poetry was less professionalized than it is now, I still had this urge to win prizes and see my work in magazines, to get an "A," as though poetry could be graded. I wish I had been more patient and less frantic about getting published.
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