A Quote by Raheem DeVaughn

I think I've nurtured the following that I have to the point where I can consistently do a certain type of numbers when I put a project out. — © Raheem DeVaughn
I think I've nurtured the following that I have to the point where I can consistently do a certain type of numbers when I put a project out.
You make certain assumptions as a parent. And you kind of think, at a certain point, you've figured things out. And then all of a sudden, that person that you raised and nurtured and thought that you knew is someone else completely.
We put out a certain energy and we are a certain type of guy. I think the way we played out there for instance, we were down with a few minutes left and instead of everybody breaking apart or being selfish, I think we just pulled together.
I'm not really the type that likes to put out a project just to say I've put it out - I like to make them count.
I think it is important to be present in the places where you are working. It is not only about doing a project, but following the project through its construction.
There's this weird thing going on where people think they've worked you out as a certain type of person, but probably better for them if they don't put me in a box, because if they do I am going to disappoint.
You might want a certain type of Brexit deal, but you can't get it if the numbers aren't there.
If you get a certain amount of notoriety for doing something, and you can stick to that type of project for the rest of your life and make a decent living, I think you still have a responsibility to stretch. Flexibility is what keeps you alive.
The fact is that viewers are fickle and it's rare that such a large group of people can be categorized in any type of way. There's enough content to go around, and if we stop focusing on numbers and start focusing on the quality of the project, then I think everybody - viewers and artists alike - is going to be a lot happier.
I'm a classical type of guy. Whatever's out at that point in time, I like it. I just put my own twist on it, and we go from there.
I think the key to really jumping out of that idea of saturation is longevity. I think that's the number one thing that allows artists to develop themselves more, is if they constantly do it. If you continue to put out consistently then your name will be known over a longer period of time.
I put up O.K. numbers - not Bugs Bunny-style numbers like some other guys - but O.K. numbers.
We try and stay out of the corporate side of it. The band has never compromised. At some point in our career we could have made a certain type of record and sold millions of units, as they are called.
Whatever it is that I thirst for in my current project tends to turn up in my following project.
To be consistently effective, you must put a certain distance between yourself and what happens to you on the golf course. This is not indifference, it's detachment.
Anytime I'm given scripts where I'm sort of the fantasy girl, it's hard for me because that's not real and I don't think it's a great thing to put out there consistently.
I think it's just that as a creative person, in all the different things that I've done or ways that I've found to express myself, I've consistently come up against resistance in certain areas. I think that the world is not comfortable with female sexuality. It's always coming from a male point of view, and a woman is being objectified by a man - and even women are comfortable with that. But when a woman does it, ironically, women are uncomfortable with it. I think a lot of that has to do with conditioning.
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