A Quote by Raheem DeVaughn
All of my songs were about my firsthand experiences. Pretty much, I've learned how to become my own muse and take situations from my own life and wear them on my sleeve.
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I bought a guitar when I was twenty. But I didn't write a song until I was 25 or 26. I never learned to play others songs. I learned to play my own songs while I was learning how to make them better.
To regret one’s own experiences is to arrest one’s own development. To deny one’s own experiences is to put a lie into the lips of one’s own life. It is no less than a denial of the soul.
There was a commonality in a lot of the private school experiences that I had of children whose lives were not their own. They thought they were their own, but they were essentially gifted this life by their parents. So they were spending money; they were going on trips - I guess, in a way, it is their life, but they didn't earn it.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
I can't become another person, no matter how much makeup I wear. Something of your own past, your experiences and personality always comes out in the role, and that makes acting very risky. You're exposed. You always wonder if you can pull it off.
I felt when I was gambling that the house always wins, and it was always like, how can I become the house? But when you're a band, you are the house because you can write the songs, you can wear your own clothes, you can pick where your show is. I can choose my own cards, basically.
Oh sure, the songs have all totally evolved. I mean, when you're playing the same songs night in night out, they take on a life of their own. I can't even remember what I wrote some of them about now!
I try and imagine myself in situations and figure out how I'd have reacted and responded to them, and then bring that insight into my acting. Much of acting is about borrowing from your real-life experiences.
I believe that you become yourself every single day of your life through your choices and how you think. And that's constantly changing every day... You are constantly changing, evolving through your experiences, how you interpret your experiences, and how you choose to do things in the future based on those experiences... Being yourself means you think with your own mind, and you make your own choices and that makes you you.
I'm my own boss, my own editor, my own shooter, my own writer, everything. This is all stuff I learned through trial and error... failing at a lot of things has taught me how to succeed at them eventually... you roll with the punches.
I learned how to be a pro, I learned how to win, I learned about building relationships with your teammates; it goes beyond basketball. I pretty much learned everything I know from OKC.
We are not determined by our experiences, but are self-determined by the meaning we give to them; and when we take particular experiences as the basis for our future life, we are almost certain to be misguided to some degree. Meanings are not determined by situations. We determine ourselves by the meanings we ascribe to situations.
Women who have managed to get successful normally have had to carve out pretty much their own route for doing it, because there are few roadmaps for how, as a woman, you become successful. You think about having to do it yourself, you carve your own way. Does that relate to being Jewish?
I feel like it's been important for me to use my own personal experiences with food and money to help people to not feel ashamed. I felt so much shame about my own experiences.
I've grown from being around other singers. I've learned not to be afraid. A part of that is from writing my own songs and discovering how to tell my own story properly.
At Ajax, I got an education in how to be confident on the ball, my technique, and then, at Atletico, I learned how to defend. It was about the details, the ruthlessness; be clinical in front of your own goal, win every duel, be clever. I learned so much and, defensively, I grew there so much.
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