A Quote by Raheem DeVaughn

I don't make records just for the ladies. I make it for the fellas, too. — © Raheem DeVaughn
I don't make records just for the ladies. I make it for the fellas, too.
I need to let people know who I am and instead of just trying to make great records, just be honest and make it more personal and make it more passionate, to make records with emotion and not be afraid to express that.
I realize you are going to make mistakes through life. Just don't make any bad ones, you know. Like all of my records are perfect records, but I did make mistakes on them.
I don't make records to win awards. I make records to make records and hopefully make the records as good as they can be.
I own records that have the power to make me cry. Records to be by or with - truly precious possessions. It is the ambition of the Midnight Runners to make records of this value.
I don't enjoy the work that I do. It's just that it's not self-sustaining anymore. The way that I like to make records - they're expensive records to make and just can't afford to do it anymore.
I've always just took notice of what's going on in the wrestling business and who the younger fellas are, and younger ladies, that are interested in this.
The bands I like, they don't sell too many records and the girls I like, they don't kiss too many boys. Books I read will never be bestsellers yeah but come on fellas at least we made our choice.
Being in this game if you are gonna sell drugs and make records too then as many records you make is gonna be as many people that know you sell drugs. We got the hip hop cops listening now.
I'm really lucky because I found myself in a position where I can do whatever I want to do. I can make records, produce records, make movies, or I can do nothing. I'm not a slave to the dollar.
Basically, we've learned to delegate. We just grew tired of becoming too psychotic and straining to make the records ourselves.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
I make an embarrassing amount of money for a borderline Marxist, just by selling 100,000 records. I don't sell millions of records, and I don't need to.
If Brian Eno wanted to make a record, I'd definitely clear some time in my calendar. John Cale, too. Those guys consistently make great records, always doing their own thing.
You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it.
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