A Quote by Raheem Jarbo
If you intend on building a solid career, it's best to not worry about the major label approach. It's a trade-off that most true artists shouldn't have to make.
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I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
That's the best thing about being with an indie label, it feels like a family. If it's a major label, they put so much pressure on every single.
The best part of being signed by a major label was having the support of a big company behind me and the ability to meet new artists and producers.
My ultimate goal was to make the music that I wanted to make, and give shows. I was never going to get a major label deal - I never wanted a major label deal - so I was really free to express myself.
It's great to be able to find a way to release your music and do what you want to do artistically and not have to just worry about being accepted by the major label industry.
I'm taking the indie filmmaker's approach to building my career and that approach is developing a relationship with the fans.
I've been working in radio on and off for most of my career. There's a restfulness about it. It's more focused on the voice, so you don't have to worry about extraneous things like sound effects, as there's someone there to look after that.
Internal differences within the Nation of Islam forced me out of it. I did not leave of my own free will. But now that it has happened, I intend to make the most of it. Now that I have more independence of action, I intend to use a more flexible approach toward working with others to get a solution to this problem.
I'm really excited because Interscope is really focused on artists. They've been working side by side with me creatively and allowing me to make a lot of the creative decisions, which you don't always hear about. That's why I didn't want to sign originally with a major label.
Instead of thinking about building up my image or building up my brand or building up my career, I've turned it and taken the approach of focusing on what I can give instead of what I can get. It's been a very enjoyable process for me. That's more of a heart position that I've taken. It's been one of the greatest things I've ever done.
You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.
I don't worry about alienating fans. I don't think most people these days think of artists as sellouts if they license their music for a commercial or a movie trailer. If anything, fans get psyched when they hear Sleigh Bells on TV or at the movies. As a band who doesn't make money off of record sales it's a great way for us to pay the bills!
We're so humbled and lucky to be in a position where we've been a four-piece for over 15 years. We're signed to a major label. We're on our fourth record on a major label. We've won a Grammy. We've toured the world.
SoundCloud took a community-first approach to building its business, prioritizing finding artists to post on its service over making deals with music labels to license their music, the approach taken by Spotify.
I can't worry about things that I can't control. That's the best approach, so I've been doing that.
People tend to think about trade as if it's competition between companies - if Apple wins, Google loses. But that's false. Trade makes nations better off in general. Now, I want to be clear. I'm not saying that everything about trade is good and beneficial. Trade also has costs.
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