A Quote by Rahki

I think at the end of the day you can do both: make money and stay true to yourself. But a lot of young people look for that fame that some of these huge artists that they see on TV have, not knowing they can do what some of these underground artist are doing which is not selling their souls for a buck.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
I guess with the generation we live in, we just want to be entertained at the end of the day. A lot of artists make themselves accessible, so they feel like every artist should be like that. Some artists shouldn't be so accessible, to me.
I was an underground artist, but the underground status was successful. Coming from where I came from to see where rap is now, now artists are selling from a million to eight million copies.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
There's a lot of money in selling marijuana. If you can do it legally, that's good. Why should all the criminals make the money? This is what people are thinking. If it's happening, if it's going to be legal, let's tax it and regulate it, like we do with everything else and make some money off this. I think that's one reason why people are talking this a little more seriously.
Artists aren't necessarily business people. And they aren't necessarily aware of all the things that go on in their names. Some just want to make some music, but there is a lot of greed among artists as well. Whether or not we know it, we are all to blame. I think it's time - starting with the artist - to try to be a little more responsible and aware of what goes on in our name.
Some people say I make hip-hop. Others see me as doing EDM. Some people might look at me as a trap artist, but I'm not really stuck to any of those.
People see me as a person who can make them some money, which makes it hard to make real friends. I'm asked to do a lot of stuff for free - to wear certain clothes, turn up to events - people use you to make money. I think that's why I tend to jump into relationships.
There are some souls so base and filthy that they love gain and interest as noble souls love fame and virtue, knowing one pleasure only, that of making money or of not losing it; anxious and avid for their ten per cent; entirely preoccupied with what is owed them; forever concerned about the depreciation or discredit of money; buried, and as it were engulfed, amid contracts, title-deeds and parchments. Such people are neither parents, friends, citizens or Christians, nor, perhaps, even men; they merely have money.
Many young artists, they look at the art world and think they can make a lot of money.
I try to be true to myself yet still at the same time look at comments and look at what the fans have to say and kind of put it in perspective. I'm never someone whose not open for opinion, I'm always just down to make it work and see how we can do things but at the end of the day I always want to make sure it represents me. It's really about just being humble and not selling yourself on being there already.
Some people think that Southern hip-hop doesn't have any depth. They think it's just noise, all about people having a good time in the club. And some of it doesn't have a lot of depth, it's true, but some does. I wanted to work against that stereotype. These are verses by Southern artists who are really wrestling with what it means to be here, young black men who are trying to figure out how to live in the South. So I wanted the epigraphs in my novels to reflect that.
A lot of people think that there has to be extreme continuity in an album, but if you look at my background, it's variety! I want to see some variety in an artist, I want to be entertained, I want some depth. Show me some different styles!
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