A Quote by Rahki

I grew up listening to Commission, Kirk Franklin and Hezekiah Walker. If I was found listening to any rap, my pops would throw them out, or crush the CDs and tapes - literally.
I didn't grow up listening to musicals. I sang coritos or Spanish spiritual songs and was raised on gospel singer Kirk Franklin.
Nobody uses skits at all anymore, so it seems like I use a lot. That's how I grew up on tapes. Biggie tapes, Biggie albums would have skits. The Lox would have skits. Mase would have skits. All the dudes I grew up on in Nineties rap would have skits on their projects, just to make you feel like you were right there with them.
When I found out that I was going to be singing with Jennifer Holliday, I literally freaked out! I grew up listening to her, and I was going to cry because I sang with someone who is a huge inspiration to me.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
I grew up listening to Jay-Z, and I think the first time I really became obsessed with learning and thinking about lyrics was when I started listening to rap; I was 11, 12, and started becoming aware of music beyond the familiar.
Either I'm listening to rap music, getting hyped up to go out and do something, or I'm listening to church music.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
I was born during the Depression in a little community just outside Waco, and I grew up listening to Franklin Roosevelt on the radio.
Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.
I grew up listening to a lot of 2Pac and a lot of East Coast, West Coast rap; Bad Boy, Lil Kim, Foxy Brown, Biggie, 2Pac. Super hip-hop, super listening to that raw era of music.
I grew up in the time just when cassettes were waning and CDs were growing. And so mix tapes - and not mix CDs - mix tapes were an important part of the friendship and mating rituals of New York adolescents. If you were a girl and I wanted you - to show you I like you, I would make you a 90-minute cassette wherein I would show off my tastes. I would play you a musical theater song next to a hip-hop song next to an oldie next to some pop song you maybe never heard, also subliminally telling you how much I like you with all these songs.
I'm listening to early Cash Money, I'm listening to Juvenile, I'm listening to Waka Flocka, I'm listening to Lil B, I'm listening to Brandy, Kanye - that's my home playlist.
I grew up in the church not being able to listen to anything but gospel. So, while [other] people grew up with their parents listening to Marvin Gaye and Aretha Franklin, I never knew they existed until I was able to listen to what I wanted to.
My grandmother loved country music, and she's the one who really got me into country music. She had George Strait tapes, a bunch of them. I remember listening to tapes, taking them out, the covers and the back.
I grew up playing in rock bands while I was listening to rap records. I like a lot of stuff.
Listening is not merely hearing, it is receiving the message that is being sent to you. Listening is reacting. Listening is being affected by what you hear. Listening is letting it land before you react. Listening is letting your reaction make a difference. Listening is active.
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