A Quote by Rahul Dev
You can never write off a good actor, look at Arshad Warsi, one 'Munna Bhai' and he's back in business.
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I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
Personally, the films I love include 'Black Friday,' 'Lage Raho Munna Bhai,' 'Love Sex Aur Dhoka,' and 'Zindagi Na Milege Dobara' because they work at the box office and are complete packages.
While we were filming 'Munna Bhai MBBS,' we didn't think we were doing some kind of mainstream cinema. I only knew that I was doing a different kind of cinema.
This Hindi-Cheeni Bhai Bhai sloganeering is just a farce, and China has never seriously meant it. Their territorial ambitions are known to the world, and are evident in their actions on land, sea, and in the air, along every border of that country.
I am an actor but might not be smart enough to handle business, so it's always good to have intelligent people around who can look into other aspects of business.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
As an actor, I just go off the director. I never ask how big the part is. I don't look at it from the perspective of, 'Is this going to be good for my career?' I just look for directors, and I think part of that is I knew I always wanted to be a director.
In an industry where actors are known to steal scenes and roles from under your nose Sohail bhai has been going out of his way to be good to me. It's true he got me Subhash Ghai's 'Paying Guest.' The role was offered to Sohail bhai. When he couldn't do it, he recommended me.
In the desktop world, you could build a successful business where a consumer only came back to you once or maybe twice a year. I don't think you can build that kind of business on mobile. You need higher frequency, or otherwise you fall off the home screen and the user never comes back.
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
What it is is that comedy is underrepresented in every actor's life, because it's so bloody difficult to write. Anyone can write, and then you leave it to special effects to make it look good. But comedy, you've got to do some writing.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
As an actor, I never go back and look at my work, anyway. The satisfaction comes in the doing.
An actor stands in front of a camera onstage, and he controls time and space for the audience. He tells them how long this will take, where to look, when to look, what to think about it. And good performers should be able to do their part with the sound off.
Look at the Quakers - they were excellent business people that never lied, never stole; they cared for their employees and the community which gave them the wealth. They never took more money out than they put back in.
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