It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
The first movie I fell in love with was Tim Burton's 'Batman,' which isn't Chicago, obviously, it's Gotham.
My worst audition was for Tim Burton for 'Batman.'
When I was younger, I used to love Tim Burton's 'Batman.' I was, like, 15, and even then, I was aware, 'This is really the Joker's film.' It's like, the Joker just takes over, and Batman, you really don't learn too much about him.
I think Batman Returns is right for riffs. I love it but it's the ultimate Tim Burton movie. There is so much that happens that's crazy and there are a ton of things to riff.
Michelle Pfeiffer in Tim Burton's 'Batman' was one of the most inspiring - I saw that and I was like, 'I want to be her, I want to do that.'
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
It's just a great, legendary comic book hero and it's one that has never been kind of been brought back to life after Lynda Carter. I mean, it's a reinvention. When Tim Burton reinvented Batman after Adam West, and when Donner reinvented Superman after George Reeves, it's time to do that with Wonder Woman.
I was a big fan of the Tim Burton films. I really liked the character. And I remember thinking the Batmobile was very cool.
I went and met with Tim Burton for the role of Batman. But I just couldn't really take it seriously; any man who wears his underpants outside his pants just cannot be taken seriously.
Tim Burton - he's not exactly a subtle filmmaker. I mean that in a good way.
In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way.
I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And... it had comics in it! And they weren't superhero comics.
My father brought me my first stack of comics, when I was seven years old and in the hospital. I was not a well child. And that's where my love for comics began.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.