A Quote by Rain Phoenix
If I were to make an uneducated guess about L.A.'s relationship with folk and psychedelia, I would say it must be the weather.
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Sailors have an expression about the weather: they say the weather is a great bluffer. I guess the same is true of our human society — things can look dark, then a break shows in the clouds, and all is changed.
If you say, "Would there were no wine" because of the drunkards, then you must say, going on by degrees, "Would there were no steel," because of the murderers, "Would there were no night," because of the thieves, "Would there were no light," because of the informers, and "Would there were no women," because of adultery.
When I was young I wanted to make films and then I got into folk music when I was about 12, and started going to this folk club in Auckland. My dad [Barry Andrews] was in punk and post-punk bands, so I guess it was a side of music I hadn't really listened to before - the really narrative form of songwriting.
The prominence of the market I guess is important to some people. For me, it was less about the number and more about the opportunities that might open up in that market. One of the questions I wanted to know about that next job was, what's your weather like? I am into the weather!
You'll also hear about the widening gap in the educated and the uneducated. The liberals will all say, "We must do something about it" and some in our population swoon, "Oh, yes, it's so unfair, and so unfortunate, and we've gotta do something about the inequality." So the Democrats then have their reason to do something about it, and the way they go about it is not trying to make people equal at all. The way they go about it is not even rooted in changing inequality, at the end of the day. The way they go about it is destructive for everybody.
Weather is real. It is absolutely real: when it rains, it rains – you get wet, there is no question about it. It is also true about weather that you can’t control it; you can’t say if I wish hard enough it won’t rain. It is equally true that if the weather is bad one day it will get better and what I had to learn was to treat my moods like the weather.
My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
I guess a lot of things I make are relationship movies. Maybe all movies are relationship movies, because they're all about how we relate to each other.
The Fifties and Sixties were years of unreal optimism about weather forecasting. Newspapers and magazines were filled with hope for weather science, not just for prediction but for modification and control. Two technologies were maturing together: the digital computer and the space satellite.
When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.
That was in 1957. And there I found out that Germany is a kind of province. I didn't know anything about expressionism, about the Bauhaus and Dada and surrealism. I was uneducated, so to speak - and everybody else was more or less uneducated, too.
Cornelius Cardew's folk songs were very, very literal, and they were just about workers smashing their chains. It was like reading Das Kapital over a folk-song melody, and it's a spectacular failure, in my opinion.
Absolute certainty is a privilege of uneducated minds and fanatics. - It is, for scientific folk, an unattainable ideal.
I do think things like old furniture and art are arbitrarily assigned. And I say that coming from an uneducated place in terms of, you know... art... curating. But who's to say what's valuable and what's not? I guess I feel like in the end it's all pretty meaningless 'cause we're all going to die.
I guess when I got into my preteens, I turned about 12 and I decided to sing R&B, because I felt like one day there were some things I felt like I would want to say, that I couldn't say with gospel music.
I think what makes the Byrds stand up all these years is the basis in folk music. Folk music, being a timeless art form, is the foundation of the Byrds. We were all from a folk background. We considered ourselves folk singers even when we strapped on electric instruments and dabbled in different things.
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