A Quote by Rainbow Rowell

And when Eleanor smiled, something broke inside of him. Something always did. — © Rainbow Rowell
And when Eleanor smiled, something broke inside of him. Something always did.
I look like a hobo?" "Worse," he said. "Like a sad hobo clown." "And you like it?" "I love it." As soon as he said it, she broke into a smile. And when Eleanor smiled, something broke inside of him. Something always did.
Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.
I was age six or seven, and singing, "Jesus wants me for her son, beep, to shine for him," and people smiled and pinched my cheeks till the blood vessels broke, and I knew I was doing something right.
Jesus did not identify the person with his sin, but rather saw in this sin something alien, something that really did not belong to him, something that merely chained and mastered him and from which he would free him and bring him back to his real self. Jesus was able to love men because he loved them right through the layer of mud.
There's no bad writing; you did something. I was operating inside language, and I did something. I'm not ashamed of it.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I couldn't do 'Eleanor Rigby' because it was clashing with another project - something I was going to go do - something with Liv Ullmann.
I came to Him because I did not know which way to turn. I remained with Him because there is no other way I wish to turn. I came to Him longing for something I did not have. I remain with Him because I have something I will not trade. I came to Him as a stranger. I remain with Him in the most intimate of friendships. I came to Him unsure about the future. I remain with Him certain about my destiny. I came amid the thunderous cries of a culture that has 330 million deities. I remain with Him knowing that truth cannot be all-inclusive.
A certain something, he felt, had managed to work its way in through a tiny opening and was trying to fill a blank space inside him. The void was not one that she had made. It had always been there inside him. She had merely managed to shine a special light on it.
She smiled at him, making sure that the smile gathered up everything inside her and directed it toward him, making him a profound promise of herself for so little, for the beat of a response, the assurance of a complimentary vibration in him.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
Ever since I was a young kid, I was always hungry for something. It was this thing inside me that no matter what I did, I couldn't satisfy it.
...called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and" --Howie coughed-- "and valiantly attacked his knife with my guts, to no avail." "Did you get a good look at him? Could you describe him?" Howie smiled wanly. "Yeah. He was about yay long" --he held up his hands, four inches apart-- "thin, made of steel. Pointy. Sharp.
I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
Man's only true happiness is to live in hope of something to be won by him. Reverence something to be worshipped by him, and love something to be cherished by him, forever.
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