A Quote by Rainbow Rowell

I know what it’s like to be distracted. To seek out distractions. To exhaust yourself doing every other little thing rather than face a blank page — © Rainbow Rowell
I know what it’s like to be distracted. To seek out distractions. To exhaust yourself doing every other little thing rather than face a blank page
The irony of multitasking is that it's exhausting: when you're doing two or three things simultaneously, you use more energy than the sum of energy required to do each task independently. You're also cheating yourself because your're not doing anything excellently. You're compromising your virtuosity. In the words of T. S. Elliot, you're 'distracted from distractions by distractions'.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
[On filling out a grant application:] I seek an extended period of time, free from all distractions, so that I might be free to be distracted.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
That's the horrible thing starting out, you get distracted a lot because anything is easier than writing. It's just the same enemy - blank paper.
I think people, whether they realize they're doing it or not, seek out distractions to take their minds off what they know is bad behavior.
Have you doubted your progress, regretted your choices, put yourself down? Remember that you are doing just fine. Remind yourself right now that no matter what it looks like, you are doing the best you can. And getting better. Encourage yourself, support yourself, and celebrate every little thing about yourself.
The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.
The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.
If you live in an oppressive society, you've got to be resilient. You can't let each little thing crush you. You have take every encounter and make yourself larger, rather than allow yourself to be diminished by it.
Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.
I'd rather be a face for happiness and doing things that you have a passion for, rather than faking it and pretending like I'm this face of women's basketball, when I can't stand the sport at all.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
The video maker doesn't easily face a blank page. Because the videomaker can run it either any way, this way or the other way and erase it if they don't like it and so on.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
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