A Quote by Rainbow Rowell

Having a conversation on a landline is more intimate than talking to someone in person. Your voices are so clear and close - you're in each other's heads. — © Rainbow Rowell
Having a conversation on a landline is more intimate than talking to someone in person. Your voices are so clear and close - you're in each other's heads.
It's much more fun, I think, to watch something physical than just heads talking to each other. I like watching people fall down and push each other.
It's so easy to butt into a conversation and offer your own thoughts or opinions, but try not to interrupt. Instead, focus on what the other person is saying, think twice and be the person that listens. It's so much more valuable than constantly talking.
The conversation that the Senate and the House are having with the President [Barack Obama] was very similar to the conversation that [John] McCain and I were having, which was two people talking over each other and nobody really addressing the underlying issues of what kind of country do we want to be.
Is so interesting, is that when you're blindfolded and you're talking to somebody the conversation goes to places that it would never go if you could see the other person's reaction. You start talking about very intimate things. It's such an interesting experience.
Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.
Even if someone doesn't look like you or you don't know people like this in your real life, you get to know them and you get to see their humanity and you get to empathize with them. Our hope is that through empathy that can spark change. We hope people start talking to each other and our show sparks conversation because we need to start talking to each other, not at each other.
I think women should support each other's work, encourage each other's work, help develop each other's voices and I think, ultimately, when we can stop having the conversation about 'women filmmakers', and just talk about 'filmmakers', then we'll know we've really gotten somewhere.
In the first 20 seconds of talking, your light is green: your listener is liking you as long as your statement is relevant to the conversation and, hopefully, in service of the other person. But unless you are an extremely gifted raconteur, people who talk for more than roughly half a minute at a time are boring and often perceived as too chatty.
I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
As much as we love each other, there is some growing difficulty in my adult relationship with my father. Because we're both writers, we're having a very intimate conversation in a very public forum.
You might be talking to someone who relates a song to losing a friend and you end up talking in the most intimate way. You can get so engaged that you end up in this existential conversation.
It's an industry of lonely people in a crowd, Bill Margold was saying. 'They're scared to get close to each other. You're far better off having someone to sleep next to then having someone to sleep with because you have to trust someone you sleep next to.
Sometimes, we writers find the perfect research material. I can't overstate how how precious that feels - it's as though you're having an intimate conversation with someone who has the key to unlock your project.
I started to hallucinate and hear voices as clear as crystal. I heard my family in a casual familial conversation I heard Koran readings in a heavenly voice. I heard music from my country. Later on the guards used these hallucinations and started talking with funny voices through the plumbing, encouraging me to hurt the guard and plot an escape.
Closeness can lead to emotions other than love. It's the ones who have been too intimate with you, lived in too close quarters, seen too much of your pain or envy or, perhaps more than anything, your shame, who, at the crucial moment, can be too easy to cut out, to exile, to expel, to kill off.
It's always more interesting when you're doing things with someone you like because you're much more open to suggesting things. Also, it's fun. It's like if you're sitting with your mates and you're bantering, or you're winding each other up and insulting each other in a playful way, but having fun with it.
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