A Quote by Rainer Maria Rilke
Where something becomes extremely difficult and unbearable, there we also stand always already quite near its transformation.
Related Quotes
I can stand brute force, but brute reason is quite unbearable. There is something unfair about its use. It is hitting below the intellect.
And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.
I think I've opened up my mind to all foods, except tinned tuna. I can't stand that. I will not go near it; the smell is unbearable.
I was always extremely determined, but I was also quite timid.
The world of photography is very self-aware. Everybody is always looking around. So it's quite difficult to stand up with a megaphone and declare, "This is what I think." As a reasonably shy person, I found it difficult to do that.
Starting in my teens, I was always standing on the corner near our apartment singing harmony with friends. We'd also go to the park and sing under the bridge near the lake for the echo. When it was cold out, we'd stand in the little heated lobby in the project's administration building, where my mom paid the rent each month.
With time the unbearable becomes shocking, becomes sad, and finally becomes poignant.
In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.
I can stand brute force, but brute reason is quite unbearable.
I've only written stand-up and sketch before, so writing something long-form on my own is proving quite difficult. But I'm enjoying it as well.
It's difficult to always have to be contextualized within the careers of your parents, and it's difficult not to feel like you can stand alone, but hopefully I'll earn the ability to stand alone over time.
There's something when you're always immersed in the natural landscape where it becomes your healer, in a way, at the same time that it also becomes sort of frightening. I guess that's how I see things, in that form of duality.
There is a point at which curiosity becomes unbearable, when it becomes an obsession, like hunger.
The enterprise of describing something in language that has never been described before is a very difficult thing to do. When you decide to do away with old cliches or old phraseologies, and to come up with a new way of saying something, it's extremely difficult.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
For me, it's always more difficult and slightly exposing to play something that's close to yourself. I always like to try to hide, just because I can't stand the way I look. But, I think it's important to change every time and come up with something that's as interesting as it can be, for your characters.
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