A Quote by Rainer Maria Rilke

We see the brightness of a new page where everything yet can happen. — © Rainer Maria Rilke
We see the brightness of a new page where everything yet can happen.
The kiss was innocent--innocent enough--but it was also full of something not unlike what Virginia wants from London, from life; it was full of a love complex and ravenous, ancient, neither this nor that. It will serve as this afternoon's manifestation of the central mystery itself, the elusive brightness that shines from the edges of certain dreams; the brightness which, when we awaken, is already fading from our minds, and which we rise in the hope of finding, perhaps today, this new day in which anything might happen, anything at all.
I'm trying to read/edit my story as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714.
When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.
I see the turning of the page, curtain rising on a new age, see the groom still waiting at the altar.
Don't close the book when bad things happen in your life! Just turn the page and start a new chapter!
[...] a darkness shining in brightness which brightness could not comprehend.
The media has a lot of power, and everything I do is what I want people to see, whether it's putting out a new single, dropping a new album, doing a new movie or new collab with a designer - this is what I want people to see.
I'm very realistic in my outlook on everything in life. When I look ahead in my mind to see what's going to happen next, I see the good and I see the bad.
Things happen they way they're meant to. There's a pattern and a shape to everything...Nothing happens without a reason...Nothing is impossible...(Page 180).
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
I have gotten everything from a one-page letter written in pencil to a 50-page computer generated masterpiece.
A fresh attitude starts to happen when we look to see that yesterday was yesterday, and now it is gone; today is today and now it is new. It is like that - every hour, every minute is changing. If we stop observing change, then we stop seeing everything as new
I want to be a winner. But you can see Michael Jordan, Kobe Bryant, Wayne Gretzky - that kind of people - where you can see and say yeah, this is players who win everything. I want to be in this page, too.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
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