A Quote by Rainer Maria Rilke

More unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life. — © Rainer Maria Rilke
More unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life.
Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, whose life endures beside our own small, transitory life
The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own traveling brotherhood.
Those people work more wisely who seek to achieve good in their own small corner of the world ... than those who are forever thinking that life is in vain, unless one can. do big things.
When you think of things that influenced your life, Mother Goose influenced more people than almost any other thing, the rhythms of those poems. Everything after that was a bare imitation of some of those mysterious and materialistic poems.
In the end, the only events of my life worth telling are those when the imperishable world erupted into this transitory one All other memories of travels, people and my surroundings have paled beside these interior happenings But my encounters with the 'other' reality, my bouts with the unconscious, are indelibly engraved on my memory. In that realm there has always been wealth in abundance, and everything else has lost importance by comparison.
Greyface and his followers took the game of playing at life more seriously than they took life itself and were known even to destroy other living beings whose ways of life differed from their own.
Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.
In those of us who have the mysterious ability to amuse others, it is usually the case that even before we were aware of our own abilities, we had become practiced at laughing more than other children in our social circle.
But without deeper reflection one knows from daily life that one exists for other people--first of all for those upon whose smiles and well-being our own happiness is wholly dependent, and then for the many, unknown to us, to whose destinies we are bound by the ties of sympathy.
One of the things that troubles me the most in life, that upsets all of us, is that we reach this world with the capability to be anything. But then life starts to confine us inside our small realities. And then, the shadow of those other possible lives stays to lurk us and you can't shake it off, since it was so easy, it'd have been so easy to lead another life. We make twenty thousand small choices a day, and maybe one of those choices is the one that will take us to a completely different life. If you stop to think about it, it is vertiginous, hypnotizing and distressing.
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie.
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.
Is religion subjective? Nay, its soul is in objectivity, in an Other whose Life is our true life, whose Love is our love, whose Joy is our joy, whose Peace is our peace, whose burdens are our burdens, whose Will is our will. Self is emptied into God, and God in-fills it.
The great decisions of human life have as a rule far more to do with the instincts and other mysterious unconscious factors than with conscious will and well-meaning reasonableness. The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Each of us carries his own life-form- an indeterminable form which cannot be superseded by any other.
From the standpoint of daily life, however, there is one thing we do know: that we are here for the sake of each other - above all for those upon whose smile and well-being our own happiness depends, and also for the countless unknown souls with whose fate we are connected by a bond of sympathy. Many times a day I realize how much my own outer and inner life is built upon the labors of my fellow men, both living and dead, and how earnestly I must exert myself in order to give in return as much as I have received.
The kinder and more intelligent a person is, the more kindness he can find in other people. Kindness enriches our life; with kindness mysterious things become clear, difficult things become easy and dull things become cheerful.
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