A Quote by Rainer Maria Rilke

Poetic power is great, strong as a primitive instinct; it has its own unyielding rhythms in itself and breaks out as out of mountains. — © Rainer Maria Rilke
Poetic power is great, strong as a primitive instinct; it has its own unyielding rhythms in itself and breaks out as out of mountains.
So the lion is the law-breaker. Just as to the primitive man the lion is the lawbreaker, the great nuisance, dangerous to human beings and to animals, that breaks into the Kraal at night and fetches the bull out of the herd: he is the destructive instinct.
In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension.
Tidal rhythms have an effect on our physiology.... When we feel out of sorts, our body is out of sync with the body of the Universe. Spending time near the ocean, or anywhere in nature, can help us to synchronize our rhythms with nature's rhythms.
I'm absolute attacking my own instinct for politeness, but I think I admire artists who just speak out or who are strong, so it's very hard.
Only through blind Instinct, in which the only possible guidance of the Imperative is awanting, does the Power in Intuition remain undetermined; where it is schematised as absolute it becomes infinite; and where it is presented in a determinate form, as a principle, it becomes at least manifold. By the above-mentioned act of Intelligising, the Power liberates itself from Instinct, to direct itself towards Unity.
Don't you dare underestimate the power of your own instinct. Instinct is a lifesaver for sharks and entrepreneurs alike. Most people can recall times they ignored their gut only to regret it later. Learning to actually listen to your instinct is a great form of self-preservation. It's both incredibly easy and tough at the same time, but worth the effort to master.
Both poetry and philosophy are prodigal of eulogy over the mind which ransoms itself by its own energy from a captivity to custom, which breaks the common bounds of empire, and cuts a Simplon over mountains of difficulty for its own purposes, whether of good or of evil.
The naive which is simultaneously beautiful, poetic, and idealistic, must be both intention and instinct. The essence of intention, in this sense, is freedom. Consciousness is far from intention. There is a certain enamoured contemplation of one's own naturalness or silliness which itself is unspeakably silly. Intention does not necessarily require a profound calculation or plan.
For me, every sound has its own minute form - is composed of small flashing rhythms, shifting tones, has momentum, comes, vanishes, lives out its own structure.
For although nepenthe has calmed me, I know always that I am an outsider; a stranger in this century and among those who are still men. This I have known ever since I stretched out my fingers to the abomination within that great gilded frame; stretched out my fingers and touched a cold and unyielding surface of polished glass.
Transcendental Meditation, for me, has been a way of turning down the outside racket and turning up the bandwidth of instinct, intuition, concentration, attention. On the light ends, it's a power nap. On the strong ends, it's a giant battery, and that battery doesn't run out.
It belongs to every large nature, when it is not under the immediate power of some strong unquestioning emotion, to suspect itself, and doubt the truth of its own impressions, conscious of possibilities beyond its own horizon.
If there is one great power, and the great power has taken upon itself the right to preempt and is choosing for itself when and in what circumstances it's going to do that, obviously it leads people in the rest of the world to wonder how far this doctrine extends.
I'm always looking for a new challenge. There are a lot of mountains to climb out there. When I run out of mountains, I'll build a new one.
To lovers of the wild, these mountains are not a hundred miles away. Their spiritual power and the goodness of the sky make them near, as a circle of friends. ... You cannot feel yourself out of doors; plain, sky, and mountains ray beauty which you feel. You bathe in these spirit-beams, turning round and round, as if warming at a camp-fire. Presently you lose consciousness of your own separate existence: you blend with the landscape, and become part and parcel of nature.
Being out on the ocean seems like a different world to being in the mountains and the backcountry, but there is also a lot of symmetry. They each have their own biorhythms from a motherly embrace to tempestuous wrath. What I love about being out in nature is that you are at the mercy of your own decision making.
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