A Quote by Rainer Weiss
For reasons probably related to the popular vision of Albert Einstein and, also, the threat posed by black holes in comic books and science fiction, our gravitational wave discoveries have had an amazing public impact.
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A lot of the things you see in science fiction revolve around black holes because black holes are strong enough to rip the fabric of space and time.
Albert Einstein didn't care where he lived. Albert Einstein was a genius. Albert Einstein wasn't getting lost in the master bedroom, he was lost in thought.
Yet as I cast my eye over the whole course of science I behold instances of false science, even more pretentious and popular than that of Einstein gradually fading into ineptitude under the searchlight; and I have no doubt that there will arise a new generation who will look with a wonder and amazement, deeper than now accompany Einstein, at our galaxy of thinkers, men of science, popular critics, authoritative professors and witty dramatists, who have been satisfied to waive their common sense in view of Einstein's absurdities.
What was done is measure directly, with exquisitely sensitive instruments, gravitational waves predicted about 100 years ago by Albert Einstein. These waves are a new way to study the universe and are expected to have significant impact on astronomy and astrophysics in the years ahead.
Observing gravitational waves would yield an enormous amount of information about the phenomena of strong-field gravity. If we could detect black holes collide, that would be amazing.
Gravitational waves will bring us exquisitely accurate maps of black holes - maps of their space-time. Those maps will make it crystal clear whether or not what we're dealing with are black holes as described by general relativity.
Gravitational waves will bring us exquisitely accurate maps of black holes - maps of their space-time. Those maps will make it crystal clear whether or not what were dealing with are black holes as described by general relativity.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
A lot of comic conventions go way beyond comic books and include other parts of pop culture, like celebrities and science fiction and movies and books. So I go to them either as a celebrity, or as a fan, because I'm a big sci-fi geek.
One of the big surprises for me about Einstein was... that he wasn't this big introvert; he was more like a novelist or a painter. It's amazing how close society came to not benefiting from Albert Einstein's genius.
While I'm a big fan of science fiction, especially as rendered in expensive Hollywood blockbusters, it's the real universe that calls to me. To fall into a black hole, that is more amazing than anything I've ever read in a science-fiction story.
I had decided after 'Hollow Man' to stay away from science fiction. I felt I had done so much science fiction. Four of the six movies I made in Hollywood are science-fiction oriented, and even 'Basic Instinct' is kind of science fiction.
We already know the limits of Einstein's theories. From the centers of black holes at the very beginning of the universe - we call these singularities - Einstein's equations fail. In fact, people have joked that's where God is dividing by zero.
I had been very dismissive of popular fiction - in fact, I'd refused to read it. And then I started working on popular fiction, and I realised these books weren't the same as Hemingway, say, but they were good in a different way.
I was raised on comic books, and I love science fiction.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
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