A Quote by Rainey Qualley
My favorite movies growing up were things like 'The Wizard of Oz,' but as I got older, I really began to admire people like Steven Soderbergh.
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I loved 'The Wizard Of Oz.' It was, like, you know how some kids, they're crying, and they put on - people put on 'Frozen' to get them to chill and just be quiet? For my family, it was 'The Wizard Of Oz.' They would literally tell babysitters, if she gets - like, if she starts misbehaving or she starts acting crazy, just put 'The Wizard Of Oz' on.
I tried [being a mogul]. It bores me. I don't really want to produce other people's movies. Because they're either grown-up filmmakers like Steven Soderbergh or Kathryn Bigelow that didn't really need me - and I've produced both of them. It's fun to sit around with them and be collegial, but they don't need me. They can make the film without me. I make my own stuff. There are tons and tons of other things I'm interested in that have nothing to do with movies or are documentary projects.
I can't imagine how much time it took Matt Bucy to cut up 'The Wizard of Oz' and reassemble every word of dialog into alphabetical order. The resulting movie is called 'Of Oz the Wizard.'
I'm not a teen anymore, but growing up, some of my favorite things were, like, 'Twin Peaks,' which wasn't even really my time, and this is one of the things, like a weird, quirky, small town mystery.
It's not like I'm the lead actor or anything. But it's really cool to be in a Steven Soderbergh movie.
When I got older, it got harder because when kids get older, they get meaner, so I went through a lot of bullying and people calling me, like, 'zebra' or 'cow,' so it was really hard growing up.
Growing up I did commercials and things like that, but nothing serious. As I got older, my family is really hardcore into academics. They weren't wanting to necessarily support an acting career; it's a really fickle business, and it can be difficult and unstable. They were rooting for education and the whole nine yards.
We were film geeks. We devoured everything: really obscure art films, foreign films. We were the kind of guys that lived at the Cinematheque. But at the end of the day, your favorite movies are like everybody else's favorite movies. Because those are the movies that become a touch point where you can connect to other people.
I've always been a bit of a clown. But I think the seminal moment was when I was sixteen, and I auditioned for a little production of The 'Wizard of Oz,' and I was like, 'Clearly I'm Dorothy!' And they were like, 'We'd like you to play the Wicked Witch.'
On the American side, some of the movies that I watched when I was a kid, like E.T. or The Wizard of Oz, those are films that changed my point of view of what film could be, of what you could do. Those are the ones that I remember were incredible when I was younger.
Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
Baum (Writer of THE WONDERFUL WIZARD OF OZ) was a true educator, and those who read his Oz books are often made what they were not-imaginative , tolerant, alert to wonders, life.
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