A Quote by Rajkummar Rao
Though 'Shahid' was the only true story, what happened in 'Trapped' can happen to anyone. And I am sure there are people like Newton, and there are boys who are naive, sweet, and rowdy, like my part in 'Bareilly'... The humanness is something I loved.
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'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
I can certainly be surprised by turns a story takes, but usually not once I'm actually in the writing/drawing stage. In the plotting stage, anything can happen. That's why I try to finish that part before I start writing. I may be exaggerating here - I'm sure there are times when I think of something part-way through that changes the story, but the ultimate outcome doesn't change. Or not yet. It could always happen.
I'd like to be part of out-of-the-box films like 'Shahid.' I see myself being part of realistic cinema.
A film like 'Dangal' is universal; though it narrates a story that happened in Punjab/Haryana, we like its inspirational story and its idea of celebrating the girl child.
A lie was something you told because you were mean or a coward. A story was something you made up out of something that might have happened. Only you didn't tell it like it was, you told it like you thought it should have been.
I like not only to be loved, but also to be told that I am loved. I am not sure that you are of the same mind. But the realm of silence is large enough beyond the grave. This is the world of light and speech, and I shall take leave to tell you that you are very dear.
I was shooting for a Telugu film at the Taj Mahal in Agra, and there were all these women and children pointing and screaming, 'Rowdy Rathore.' But I am not really 'Rowdy Rathore.' I am the guy who did the original version of 'Rowdy Rathore' six years ago.
But anyone can begin. It was the part with all the promise, the potential, the things I loved. More and more, though, I was finding myself wanting to find out what happened in the end.
But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who
“play on sessions.
But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who play on sessions.
The universe is deterministic all right, just like Newton said, I mean it's trying to be, but the only thing going wrong is people fancying people who aren't supposed to be in that part of the plan.
When I'm rapping, like, a turn up song, I'm thinking about what the people want to hear; this is what they're going to like. When I'm singing, I'm, like, telling my story. I'm not worried if people like it; I'm just trying to be truthful, you know what I'm saying? I'm just talking about something that happened to me.
in the nineteenth year and the eleventh month speak your tattered Kaddish for all suicides: Praise to life though it crumbled in like a tunnel on ones we knew and loved Praise to life though its windows blew shut on the breathing-room of ones we knew and loved Praise to life though ones we knew and loved loved it badly, too well, and not enough Praise to life though it tightened like a knot on the hearts of ones we thought we knew loved us Praise to life giving room and reason to ones we knew and loved who felt unpraisable. Praise to them, how they loved it, when they could.
In 'Burrraah,' I play a teacher whose aim is to reform a bunch of rowdy boys. My character is very interesting and I chose this film for a Punjabi debut because of its story, script, screenplay and director, Sagar Sharma. I love the way he narrates a story.
What I don't like so much is to give explanations about people's behaviour... I'm not interested in making conclusions. I would never think about myself or anyone else, 'Well, this happened, this happened, this happened, so this must be the result.' It doesn't work like that with me.
The hardest part of this year has been learning to enjoy it. It's almost like a full-time job reminding myself to live in the moment and not look for more, more, more...I see now that people who make movies, this world of creative geniuses that I grew up idolizing, are just normal people who wanted to do something and made it happen. Everything that's happened to me in the last year has only made me feel more like a normal person, more human, but in the most beautiful way.
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