A Quote by Rajkummar Rao

I have to finish 'Behen Hogi Terim' and then get right into that zone to seriously start preparing for it. It is a huge responsibility to play Netaji. — © Rajkummar Rao
I have to finish 'Behen Hogi Terim' and then get right into that zone to seriously start preparing for it. It is a huge responsibility to play Netaji.
A film like 'Kai Po Che!', 'Queen', 'Behen Hogi Teri' and 'Bareilly Ki Barfi' are not really independent films.
It is a tremendous honor to be a No. 2 seed, and to get to play so close to home in Dayton. It is an incredible feeling, and it will be interesting to start preparing. But right now we need some rest and then we'll get our guys going for the NCAA Tournament.
I am never happy when I finish a book. I always start feeling good, and then I get to about Page 75 and start losing momentum - and I kind of pull it together at the end, but by then I think it's just all over. It's become almost a running joke among my agent and my editor - I always say that, so they don't take me seriously anymore.
Learn a lot about the world and finish things, even if it is just a short story. Finish it before you start something else. Finish it before you start rewriting it. That's really important. It's to find out if you're going to be a writer or not, because that's one of the most important lessons. Most, maybe 90% of people, will start writing and never finish what they started. If you want to be a writer that's the hardest and most important lesson: Finish it. Then go back to fix it.
When you build a building, you finish a building. You don't finish a garden; you start it, and then it carries on with its life. So my analogy was really to say that we composers or some of us should think of ourselves as people who start processes rather than finish them. And there might be surprises.
We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
I hate to write and spend months just waiting for the film to get financed. Then when you start preparing the film and you shoot it, you've already forgotten why you wanted to make the film in the first place. I like to have some kind of coherent energy that takes you through writing, preparing, shooting.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
Being an actor/ writer is a responsibility and a burden and a gift. The responsibility to me is that you can't just wait to be cast into something and then you create the role. You almost have a voice inside of you telling you what you might want to play and be able to play. It's hard, but once that thing comes out of the printer and you hold those warm pages to your cheek it's great. It's a huge sense of accomplishment.
If there's anything about someone's life that's important enough to make a movie about it, I have to take responsibility to get all of it right. It's a huge responsibility.
When you learn to take responsibility for yourselves, then you will start taking responsibility for the planet. The planet is being destroyed by your abandonment of responsibility. You assume that you own the planet. And ownership confers upon you the right to do as you like. You do not own this beautiful planet. You are simply a guest here.
The only way to get a thing done is to start to do it, then keep on doing it, and finally you'll finish it.
Sometimes when I'm writing I'll play Cole Porter, just because the rhythms and the lyrics are so perfect that it's like having a smart partner in the room. I have a huge collection of music that I listen to when I'm writing, and I also prepare a lot of music before I start directing. I put it all onto an iPod that I have with me on the set. It's helpful to the actors, because for an emotional scene, I'll play it and say, this is how it feels, to keep us in the zone.
There are two things. There was the moral responsibility, and that, first, is creating an atmosphere where the security forces can kill with impunity, where they can turn up at a place, shoot seven people - really at point-blank fashions - and then get away with it and be, in fact, promoted. And then there is the actual responsibility, the governmental responsibility. My aunt's government forbade us, initially, from filing a police report - which is every Pakistani citizen's right under the law.
Science is going to build a base on the Moon! This is a very necessary and a very possible mission! Start and finish! Thousands of problems will arise in this mission, thousands of solutions will be found! Start and finish! Moon is a good hole to enter the blood vessels of the universe. Start and finish!
I didn't start off with the responsibility because I didn't think anybody would care. But as you do meet these people influenced by your music, then you start to understand you have a responsibility. I don't think you initially know it until you feel the power of what you're really doing.
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