A Quote by Rajon Rondo

I don't try to come in and act like I know it all, and that's why I put the extra work in of watching film, getting an understanding of what you want from personnel, each player.
I think a lot of personnel decisions come down to who's the best player today, like if we had to throw 'em in a game today versus what could their upside be 18 months from now. A lot of times, those are two different answers. That's the difficulty of player personnel.
Our players know that we try to come in each week and put ourselves in the best position to have a chance to win, and sometimes that means some people playing more than others; sometimes it means using different personnel groupings in different weeks.
I don't want to let ourselves down, so we put extra time, extra effort into every single thing we put out. I think that's why it takes a bit of time for us, but we really want to perfect the quality of the stuff we put out, so we can be represented to the world as a K-pop group.
I've just tried to do everything I can personally to be the best quarterback I can be, whether it's doing extra work for my rehab, extra work in the film room, on the board, extra work out on the field with my drops and footwork.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
I don't really do that much office work. I just go to the office, and I'm like Steve Carell in 'The Office.' You know, like, I just go around and like - I don't know what I do in the office. I look at paperwork and act like I'm understanding what's going on there, and I shake my head and put my hand on my chin and like, 'Hmm.'
As a basketball player, you want to play. There's only so much stuff I can go over doing one-on-one drills in practice and watching the team and watching film.
When I was a teenager, I met a comedian who I admired, and he was very rude to me. That's why when people come up to me I try not to be rude. I don't want to name who he is, but it really put me off watching his stuff since.
When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.
Preparing your tactical formation is essential. Each player needs to know where he has to be, and that is why there needs to be mutual understanding: because you need absolute discipline.
When I'm doing a film, I love getting together after work with my costars. But we get back to L.A. and I'm like, 'I don't want to go to a club with you, dude. I mean, I think you're rad, and if you want to come play Scrabble with me, that's amazing.'
You know, if you have a zoo you don't want the other creatures to see you. You want them to hang out and act properly and, you know, when the monkeys will come and ask for the bananas, they won't act like monkeys. If you want them to act on what their true nature is, you've got to leave them alone.
One of my biggest disappointments is watching the trailer for the second 'Lord of the Rings' film and having Gandalf in it. Why? You know, he died in the first one, why give it away in the trailer just to try and sell a thousand more seats? It's daft.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
I've been watching some film, understanding what I can work on, what I can get better at.
I know what I do. I know what I put on film. I know what I try to do. I don't want to talk about what I've done.
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