A Quote by Rakhi Sawant

I am learning Bengali because I want to dub for myself. — © Rakhi Sawant
I am learning Bengali because I want to dub for myself.
Whenever I get married, it will be a Bengali wedding. If I won't have a Bengali wedding, my mother won't come. She has warned me. So, I am going to have a Bengali wedding for sure.
As I am a Bengali and am used to conversing in Bengali and English, I thought my Hindi would show an accent.
I am taking my production style more into the world of dub. I mean true dub production techniques but in house music.
I seriously think Bachchan is more Bengali than any one I know. He's a true Bengali dada. And I'm not saying that because he has a Bengali wife or has spent time in Kolkata. There's more of Rabindranath Tagore's legacy in him than anyone else.
Yes, I am a Bengali but I am sorry I can't converse in Bengali.
I'm obsessed with all things Bengali, man. I love fish, my maid is Bengali, I acted in Bengali and Bangladeshi films.
I am also a voice over artist, so I always like to dub myself.
I want to learn Kannada and maybe even dub for myself in the future.
I have introduced my daughter to the literary classics and landmark Bengali films. I want her to be well-versed in English but not at the cost of Bengali.
Definitely dub is in my body forever. I think I hear everything through a dub filter. Even when I play rock music, I play through a dub filter.
I am getting good roles in the Telugu film industry. And people are also liking my work. I dub the films myself and this makes a huge difference.
I want to live in Kolkata; I don't want to live in Europe - I can't write there. I write in Bengali, and I need to be surrounded by the Bengali language and culture.
Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)
When I was offered 'Abhijaan,' I didn't know any Bengali. But Satyajit Ray insisted, saying my character spoke a mixture of Bhojpuri, Hindi, Urdu and Bengali. I agreed only because he had faith in me.
I hit a brick wall one day, and I spent a lot of time by myself learning about me and who I am and what I want and don't want.
Rub-a-dub-dub. Cerebrum in a tub.
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