A Quote by Rakhi Sawant
My family was poor. My father was in the police force and was drawing a small salary. Because of that I could not study.
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One day as Father and I were returning from our walk we found the Grote Markt cordoned off by a double ring of police and soldiers. A truck was parked in front of the fish mart; into the back were climbing men, women, and children, all wearing the yellow star. . . . "Father! Those poor people!" I cried. . . . "Those poor people," Father echoed. But to my surprise I saw that he was looking at the solders now forming into ranks to march away. "I pity the poor Germans, Corrie. They have touched the apple of God's eye.
Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"
Defund the police does not mean abolish the police. It means a dramatic reduction in the number of police in our poor communities and particularly our poor Black and Brown communities.
During the Umbrella Movement, the police force wasn't in control, and the police ignored the law and tried to use extreme force to hurt people.
My father became the technical advisor for 'The Desert Fox,' with James Mason as Rommel. They wanted an Aussie who had been in North Africa with the English, and found my father on the Pasadena police force.
I was an anomaly because my father was a Harvard man, and he came from a family of poor people.
I was the fifth child in a family of six, five boys and one girl. Bless that poor girl. We were very poor; it was the 30s. We survived off of the food and the little work that my father could get working on the roads or whatever the WPA provided. We were always in line to get food. The survival of our family really depended on the survival of the other black families in that community. We had that village aspect about us, that African sense about us. We always shared what we had with each other. We were able to make it because there was really a total family, a village.
My whole family is extremely blue collar - teachers and police officers probably make up half my family. My father was a garbage man.
I always felt like there wasn't a blueprint for father-daughter relationships - for them or for us. Because what are they supposed to do with us, treat us like boys, or small women, or what? Father-daughter relationships are so unique from family to family, and I'd love to watch it explored more onstage.
When my dad first started out in the police force, wearing the uniform was a sense of pride, and it was respected in the community for what the police force was all about. Unfortunately today, the uniform is a target.
My family was poor, my father drove a cab for a living, but we felt normal because everybody else was in the same boat.
The difference between our family and other poor families was that my mother actively chose to be poor. She was highly literate, and she had a college degree, but after my father left, she took the first secretarial job she could find and never looked for other employment again.
Let's dig deep to build the kind of police force that our fatherland really deserves. We need a revolution of the police force here in Venezuela, and I will carry it out without delay, without excuses.
My family has been poor and working-class for generations. And we live - I live in this really small community in Southern Mississippi where you don't evacuate, and you have never evacuated because there are too many people in your family to evacuate.
In 1962, I had an entry-level reporter's job at an Omaha television station. I had bargained to get a salary of $100 dollars a week because I didn't feel I could tell Meredith's doctor father I was making less.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
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