A Quote by Rakim

Back in the day, music imitated life. Now it's the opposite way around: life is imitating music. It's like whatever the rappers say, people think that that's how we're supposed to be; but back then, we kind of looked at the streets, and we made music for that.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.
He shook his head. "Some people think that they like music, but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me." "People like you," I said. "What kind of people are those?" "The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened."
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
I was always into the music. Music, in general, saved my life. But the fame part... I would look up, see what was going on around me, the reporters and photographers and all, and then I would just go back to making my music.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
I just look up to anyone who made music back then because you really had to be a musician. There were no samples or drum machines. Those people back in the day paved the way for people like me.
Nowadays, not to say that that doesn't happen, but music is made a lot almost in a laboratory where you get one guy working in one studio, they send the file to another guy in some other part of the world, they send it back and then they send it this way and that way. Musicianship is kind of - there's nothing wrong with that. In fact, some great music is made that way.
The music of the westerner comes from Africa, whether they like it or not. The majority of the instruments of the music, of the pop music, rock and roll, or R&B, hip hop, whatever it is, their roots trace back to Africa. So if you are black, white, yellow, or red, whatever you do, it doesn't matter, because your DNA is back in Africa.
But back then the thing that saved me was the music, and it's certainly the music that saves me now. The music, my family and my friends and everybody around me.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
I'm drawing from two generations back how to think about music, how to think about why you travel to make music, what the possible pitfalls of that are for the way your life is structured. The good and bad of all of it get into the mix of what's created, what you're creating.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
The tricky thing is music is supposed to be very mysterious; the way it's made is mysterious. Then people like to get upset with the music business.
Music is important. It says things you heart can't say any other way, and in a language everyone speaks. Music crosses borders, turns smiles into frowns, and vice versa. These observations are shared with a hope: that, when schools cut back on music classes, they really think about what they're doing - and don't take music for granted.
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