A Quote by Rakim

I try to stay true to my style, and I understand the foundation of my style and where it came from. But at the same time, you take that experience and learn different ways to write, different ways to turn on that creative energy.
I think carrying your gut, or your instincts, through all the learning, is one of the most important things. You learn to prepare for a part in different ways, you learn to experiment, what you do for the character - you try working in different ways.
I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
My personal style is a continued evolution. I can see I've had a different style for every different age in the period of my life. It's difficult for me to say what is my style because I change all the time. I change every eight months, it's so weird.
I think people all over the institution recognize that different ways of understanding are valuable. Artists may think in a different way than biologists or chemists, but you can learn something from that. It is true that the arts at MIT don't have the same amount of funding or same status as the sciences or engineering.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
I think it's hard to describe my style in one sentence. It depends on how I'm feeling. Sometimes I'll dress more street; other times, I'll dress more classy. I have so many different ways that I can express myself, so my style is pretty versatile.
I probably write the same story a hundred different ways. I suppose right now I am looking for the 101st different way to write that same story. And the 102nd, and 103rd and 111th and 133rd.
It's important to be a global citizen at the same time and appreciate different cultures and different people and different ways of life.
We get to experience the same thing in very different ways with different parts of ourselves.
There's so many different ways to write a rhyme its stupid man. I don't understand why the majority of the rap game sounds the same.
Italians don't have a unique style like France or Spain or Germany or the UK, it's different everywhere you go. The style of the girl in Milan is really architectural and modern. In Naples it's a completely different style, it's more dark. I'm sure our style was more precise in the past in the '50s or '60s where everything was very Sophia Loren. It's weird because obviously outside of Italy you think of one country, but when you're in the country you know how different the country is from the north to the center to the south to the island. There are so many differences.
Moving around a lot allows you to experience many different cultures and learn about the ways that different people in different parts of the country live, and it probably made me somewhat more adventuresome and allowed me to meet my future wife in Pensacola.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
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