A Quote by Rakim

I was an underground artist, but the underground status was successful. Coming from where I came from to see where rap is now, now artists are selling from a million to eight million copies.
I think what's happenin' is that, with the overflow of music, it's been diluted. There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio.
Selling eight million copies of your first album will mess you up.
The other day I read that last year 58 million tourists came to New York ... where a puny eight million people are trying to live. Unless they own a hotel chain, I don't think a single one of these eight million people are happy about this.
I think at the end of the day you can do both: make money and stay true to yourself. But a lot of young people look for that fame that some of these huge artists that they see on TV have, not knowing they can do what some of these underground artist are doing which is not selling their souls for a buck.
I've worked as a singer in metal bands for over ten years now, so I've definitely kind of put in my time building that underground family, that underground, loyal fan base.
What was once underground is now coming to the surface.
The last time I put out 'Raw,' that boosted me up in the underground to one of the top underground artists who was making moves and touring around the world.
I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
I don't want to be one of those guys that you see who made $4 million, invested $3.5 million, and now you work at Wendy's.
Nowadays rap artists coming half-hearted, Commercial like pop, or underground like black markets. Where were you the day hip-hop died? Is it too early to mourn? Is it too late to ride?
Whenever you have a few setbacks, the idea that half as many children are dying now as back in 1990 and so... it was over 12 million a year, now it's less than 6 million a year. We have a clear path to get that under 3 million a year and we know what to do. And this generation of young Africans is a very large group.
On some summer days in New York City, the air hangs thickly visible, like the combined exhalations of eight million souls. Steam rising from vents underground makes you wonder if there isn't one giant sweat gland lodged beneath the city.
Something economically changed. It used to be that you needed 20 million people to watch a TV show for it to be a hit. Now, with just a few million people watching, you're considered very successful, for a lot of these streaming services, or cable channels. Now, that allows people to do much more creatively ambitious work, because it's not lowest common denominator.
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