A Quote by Rakim
I'm more of a wordsmith, so I like taking different words and trying to see what I can do with them - as many things as possible.
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Quite honestly, I never thought it would be possible for Asians to make it in the States. But now I feel like it's totally changing. You see so many Asian celebrities now, and more and more of them are taking bigger roles in movies. I feel like everything has changed.
I don't judge my effectiveness by how many words I say. I think liberals often see nuances in things... Conservatives tend to see things in black and white. It gives them an air of certainty and conviction that might make them more comfortable to watch.
When I was twenty I was in love with words, a wordsmith. I didn't know enough to know when people were letting words get in their way. Now I like the words to disappear, like a transparent curtain.
I'm interested in taking things from my relationship that I don't see on screen - or that I feel like that could be useful or helpful if it were out in the open - and trying to put that in the movies as much as possible.
There are some things I cannot do as I did before the accident. Trying to do them the same way was impossible, and I was getting frustrated. Then one day I said to myself that I had to relearn those things and do them in a different way and see what was possible, and how it could be achieved.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
I mean I think children love the idea that there are different viewpoints and different words for things and different worlds. And the more that they pretend to be other people, the harder it is for them to hate them and misunderstand them when they grow up.
It's my dream career to do as many different things as possible and for as long as possible, to stretch myself in as many different directions as I can.
As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.
The reason I play so many sounds, maybe it sounds angry, is because I'm trying so many things at one time, you see? I haven't sorted them out. I have a whole bag of things that I'm trying to work through and get the one essential.
I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.
Not being categorized is like keeping your mouth shut. Categorization is linguistic, people trying to understand each other. Words are misty, language is a fog. I want to be in as many boxes as possible, describe myself as thickly as possible.
I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.
I'm looking for things where, like with 'Ten,' I don't look like me, and I'm playing something a bit different. I'm just trying to flex a different muscle and see if it works. I've saved the world and killed monsters and done all that. Now I want to try something a bit different and a bit more challenging.
What I view as worship now is certainly a little different than how I used to view worship. I don't see it as a verse in a chorus, on a big screen with words, like I used to. It's just trying to be as real as possible in front of an audience.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
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