A Quote by Rakshit Shetty
As an actor, I feel, I should not choose a film just to help get great box office results but one that challenges me as an actor and gives me the pleasure of playing a certain role.
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When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.
'Quantum Leap' gave me a huge opportunity as an actor. The nature of the role and it's demands allowed people to perceive me as a versatile actor, and the wide success of the show around the planet gave me a certain notoriety that helped me get other work.
The heritage of a British actor revolves around the challenges of playing the classic roles to meet certain levels of success as an actor. In America, the heritage of an actor is based on cinema mainly.
The idea is to keep reinventing yourself. Once you attain a certain status as an actor, your fans start expecting from you and you should be able to fulfill them. That's why I try to choose as many different kind of roles as I can so that my fans are not disappointed with me. It would also get boring for me as an actor to keep repeating myself.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
If you're just an actor you're reactive. You're saying, "Well, I hope Hollywood gives me a role, or gives me a chance at a role," whereas if you can generate your own content, then you can go where you want to go.
My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just the way an actor does when playing a role.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
It has happened with me that I get a role of a cop for a film. Few directors typecast you if you do that particular role well. But, it is the actor who has to decide whether he fits in that role or not.
Especially for people who are unknown, it's easier to get a TV show because you don't have to put a certain amount of people in movie theaters for a box office weekend. It's really difficult to get a great lead role in some big film, if nobody knows you.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
There has got to be a way for me to have a role on TV or in film that is just as normal as any other white actor. That's what I'm trying to get at.
The success of a film at the box office will ensure happiness to the entire unit, but individual awards are like vitamin shots that will help boost the morale of an actor.
According to me, when a filmmaker is writing a role, a certain actor comes to his mind. Now whether that actor resides in Mumbai or in the Malabar is hardly of any consequence.
You have to find it in the moment, and that's one of the challenges of being an actor - especially a film actor - is that you have to maintain these heightened emotions for long periods of time. There's no trick to it. You just have to do.
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